Signatures of the visible



© 1992 by Routledge, Chapman & Hall, Inc. All rights reserved. "The visual is essentially pornographic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating the relationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself. "

Full Text

Duke Authors

Cited Authors

  • Jameson, F

Published Date

  • October 18, 2013

Start / End Page

  • 1 - 254

International Standard Book Number 13 (ISBN-13)

  • 9780203700150

Digital Object Identifier (DOI)

  • 10.4324/9780203700150

Citation Source

  • Scopus