Voices and their discursive Dis/Content in Taiwan documentary

Journal Article (Review)

Instead of attempting to provide a survey of Taiwan documentary, this article focuses on a few critical moments in its long and uneven history and proposes a potentially productive site for understanding its formal manifestations of representational politics. By honing in on the uses of sounds and words, I show that the principle of a unitary voice-voice understood both as the utterances of sound and the politico-cultural meaning of such utterances-organizes the earlier periods of the colonial and authoritarian rules and shapes later iterations of and formal reactions to them. Be it voice-over narration or captions and inter-titles, this article provides a historiographical lens through which the politics of representation in Taiwan documentary may be rethought. Furthermore, this article takes documentary not merely as a genre of non-fiction filmmaking. Rather, it insists on documentary as a mode, and indeed modes, of representation that do not belong exclusively to the non-fiction. Notions of "documentability" are considered together with the corollary tendency to "fictionalize" in cinema, fiction and non-fiction. Taiwan, with its complex histories in general and the specific context within which the polyglossiac practices of New Taiwan Documentary have blossomed in recent decades in particular, is a productive site to investigate the questions of "sound" in cinematic form and "voice" in representational politics. © 2013 by Koninklijke Brill NV, Leiden.

Full Text

Duke Authors

Cited Authors

  • Hong, GJ

Published Date

  • January 1, 2013

Published In

Volume / Issue

  • 7 / 2

Start / End Page

  • 183 - 193

Electronic International Standard Serial Number (EISSN)

  • 1673-7423

International Standard Serial Number (ISSN)

  • 1673-7318

Digital Object Identifier (DOI)

  • 10.3868/s010-002-013-0010-8

Citation Source

  • Scopus