Visuality and black masculinity in Ralph Ellison's Invisible Man and Romare Bearden's photomontages
Publication
, Journal Article
Lamm, K
Published in: Callaloo
January 1, 2003
Duke Scholars
Published In
Callaloo
DOI
EISSN
1080-6512
ISSN
0161-2492
Publication Date
January 1, 2003
Volume
26
Issue
3
Start / End Page
813 / 835
Related Subject Headings
- Literary Studies
- 4702 Cultural studies
- 4303 Historical studies
- 3602 Creative and professional writing
- 2103 Historical Studies
- 2005 Literary Studies
- 2002 Cultural Studies
Citation
APA
Chicago
ICMJE
MLA
NLM
Lamm, K. (2003). Visuality and black masculinity in Ralph Ellison's Invisible Man and Romare Bearden's photomontages. Callaloo, 26(3), 813–835. https://doi.org/10.1353/cal.2003.0094
Lamm, K. “Visuality and black masculinity in Ralph Ellison's Invisible Man and Romare Bearden's photomontages.” Callaloo 26, no. 3 (January 1, 2003): 813–35. https://doi.org/10.1353/cal.2003.0094.
Lamm K. Visuality and black masculinity in Ralph Ellison's Invisible Man and Romare Bearden's photomontages. Callaloo. 2003 Jan 1;26(3):813–35.
Lamm, K. “Visuality and black masculinity in Ralph Ellison's Invisible Man and Romare Bearden's photomontages.” Callaloo, vol. 26, no. 3, Jan. 2003, pp. 813–35. Scopus, doi:10.1353/cal.2003.0094.
Lamm K. Visuality and black masculinity in Ralph Ellison's Invisible Man and Romare Bearden's photomontages. Callaloo. 2003 Jan 1;26(3):813–835.
Published In
Callaloo
DOI
EISSN
1080-6512
ISSN
0161-2492
Publication Date
January 1, 2003
Volume
26
Issue
3
Start / End Page
813 / 835
Related Subject Headings
- Literary Studies
- 4702 Cultural studies
- 4303 Historical studies
- 3602 Creative and professional writing
- 2103 Historical Studies
- 2005 Literary Studies
- 2002 Cultural Studies