Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840.
Publication
, Book
Pfau, T
2005
The study studies mostly lyric forms as imaginative encryptions of Romanticism’s changing political, economic, and cultural conditions. The study correlates paranoia, trauma, and melancholy with discrete phases of British and German Romanticism. Figures central to the study include Burke, Godwin, Wordsworth, and Keats in England, as well as Kant, Hegel, Joseph von Eichendorff, and Heinrich Heine in Germany.
Duke Scholars
Publication Date
2005
Publisher
Johns Hopkins University Press
Citation
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Pfau, T. (2005). Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840. Johns Hopkins University Press.
Pfau, T. Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840. Johns Hopkins University Press, 2005.
Pfau T. Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840. Johns Hopkins University Press; 2005.
Pfau, T. Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840. Johns Hopkins University Press, 2005.
Pfau T. Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840. Johns Hopkins University Press; 2005.
Publication Date
2005
Publisher
Johns Hopkins University Press