Skip to main content
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990

Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity

Publication ,  Chapter
Stiles, K
2011

Duke Scholars

Publication Date

2011

Start / End Page

50 / 67

Publisher

Neuberger Museum of Art
 

Citation

APA
Chicago
ICMJE
MLA
NLM
Stiles, K. (2011). Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity. In N. Princenthal & H. Posner (Eds.), The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990 (pp. 50–67). Neuberger Museum of Art.
Stiles, K. “Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity.” In The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Nancy Princenthal and Helaine Posner, 50–67. Neuberger Museum of Art, 2011.
Stiles K. Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity. In: Princenthal N, Posner H, editors. The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990. Neuberger Museum of Art; 2011. p. 50–67.
Stiles, K. “Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity.” The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Nancy Princenthal and Helaine Posner, Neuberger Museum of Art, 2011, pp. 50–67.
Stiles K. Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity. In: Princenthal N, Posner H, editors. The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990. Neuberger Museum of Art; 2011. p. 50–67.

Publication Date

2011

Start / End Page

50 / 67

Publisher

Neuberger Museum of Art