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Philosophy and Creativity

Performing Oneself

Publication ,  Chapter
Flanagan, O
2011

Abstract: I explore the ancient idea that life is some kind of dramatic or artistic performance. How seriously and literally ought we to take this idea that life is like a dramatic performance, even that it is one? There are metaphysical and logical questions about whether and how self-creation and self-constitution are possible; and there are normative questions about which norms sensibly govern self-constituting performances. Here I discuss the normative questions associated with the ideas that life is a performance and that the self is something that both emerges in and is constituted by the performance. Three contemporary psychopoetic conceptions of persons – “day-by-day persons,” “ironic persons,” and “strong poetic persons” are examined in order to discuss whether there are legitimate normative constraints on “performing oneself,” and, if so, what these might be.

Duke Scholars

Publication Date

2011

Publisher

Oxford University Press
 

Citation

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Flanagan, O. (2011). Performing Oneself. In E. Paul & S. B. Kaufmann (Eds.), Philosophy and Creativity. Oxford University Press.
Flanagan, O. “Performing Oneself.” In Philosophy and Creativity, edited by Elliot Paul and Scott Barry Kaufmann. Oxford University Press, 2011.
Flanagan O. Performing Oneself. In: Paul E, Kaufmann SB, editors. Philosophy and Creativity. Oxford University Press; 2011.
Flanagan, O. “Performing Oneself.” Philosophy and Creativity, edited by Elliot Paul and Scott Barry Kaufmann, Oxford University Press, 2011.
Flanagan O. Performing Oneself. In: Paul E, Kaufmann SB, editors. Philosophy and Creativity. Oxford University Press; 2011.

Publication Date

2011

Publisher

Oxford University Press