Margie Gillis: The indelible art of an integrated artist
Publication
, Journal Article
Dickinson, B
Published in: Dance Chronicle
May 4, 2018
This article examines the life and work of Canadian choreographer and performer Margie Gillis, identifying her as an integrated artist and considering her work through perspectives from artists, cognitive scientists, Tibetan Buddhists, and individuals in the medical field who have explored the concept of nonlocality. The essay examines Gillis’s ability to create strong connections between the audience and herself as performer, and posits that this bond results from Gillis’s strongly communicated visual, physical, intellectual, spiritual, and emotional aspects. The artists interviewed and referenced in this paper are Irene Dowd, Risa Steinberg, and, predominantly, Margie Gillis.
Duke Scholars
Published In
Dance Chronicle
DOI
ISSN
0147-2526
Publication Date
May 4, 2018
Volume
41
Issue
2
Start / End Page
188 / 211
Related Subject Headings
- 3604 Performing arts
- 1904 Performing Arts and Creative Writing
Citation
APA
Chicago
ICMJE
MLA
NLM
Dickinson, B. (2018). Margie Gillis: The indelible art of an integrated artist. Dance Chronicle, 41(2), 188–211. https://doi.org/10.1080/01472526.2018.1462646
Dickinson, B. “Margie Gillis: The indelible art of an integrated artist.” Dance Chronicle 41, no. 2 (May 4, 2018): 188–211. https://doi.org/10.1080/01472526.2018.1462646.
Dickinson B. Margie Gillis: The indelible art of an integrated artist. Dance Chronicle. 2018 May 4;41(2):188–211.
Dickinson, B. “Margie Gillis: The indelible art of an integrated artist.” Dance Chronicle, vol. 41, no. 2, May 2018, pp. 188–211. Scopus, doi:10.1080/01472526.2018.1462646.
Dickinson B. Margie Gillis: The indelible art of an integrated artist. Dance Chronicle. 2018 May 4;41(2):188–211.
Published In
Dance Chronicle
DOI
ISSN
0147-2526
Publication Date
May 4, 2018
Volume
41
Issue
2
Start / End Page
188 / 211
Related Subject Headings
- 3604 Performing arts
- 1904 Performing Arts and Creative Writing