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Visualizing Venice: Mapping and Modeling Time and Change in a City

Interactive Exhibitions

Publication ,  Chapter
Olson, M
2017

Curated exhibitions have long been the primary means by which the work of historians of urban and material culture has interfaced with the public. They are sites of translation, where the relatively specialized knowledge of experts meets an engaged public, sites where scholarship becomes communication.

Duke Scholars

DOI

ISBN

978-1138285996

Publication Date

2017

Start / End Page

92 / 99

Publisher

Routledge
 

Citation

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ICMJE
MLA
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Olson, M. (2017). Interactive Exhibitions. In K. L. Huffman, A. Giordano, & C. Bruzelius (Eds.), Visualizing Venice: Mapping and Modeling Time and Change in a City (pp. 92–99). London & New Ork: Routledge. https://doi.org/10.4324/9781315100685
Olson, Mark. “Interactive Exhibitions.” In Visualizing Venice: Mapping and Modeling Time and Change in a City, edited by Kristin L. Huffman, Andrea Giordano, and Caroline Bruzelius, 92–99. London & New Ork: Routledge, 2017. https://doi.org/10.4324/9781315100685.
Olson M. Interactive Exhibitions. In: Huffman KL, Giordano A, Bruzelius C, editors. Visualizing Venice: Mapping and Modeling Time and Change in a City. London & New Ork: Routledge; 2017. p. 92–9.
Olson, Mark. “Interactive Exhibitions.” Visualizing Venice: Mapping and Modeling Time and Change in a City, edited by Kristin L. Huffman et al., Routledge, 2017, pp. 92–99. Manual, doi:10.4324/9781315100685.
Olson M. Interactive Exhibitions. In: Huffman KL, Giordano A, Bruzelius C, editors. Visualizing Venice: Mapping and Modeling Time and Change in a City. London & New Ork: Routledge; 2017. p. 92–99.
Journal cover image

DOI

ISBN

978-1138285996

Publication Date

2017

Start / End Page

92 / 99

Publisher

Routledge