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Pedro Lasch: Exhibitions, 2012 - 2013 | Atlas critique at Centre d'art contemporain, Parc Saint Léger, France
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Pedro Lasch: Exhibitions, 2012 - 2013 | Documenta 13, AND AND AND - Five Decolonial Days in Kassel at Kassel, Germany
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Pedro Lasch: Exhibitions, 2012 - 2013 | ESPACIOS OCUPADOS: DEFINING 99% at Calles y Suenos Gallery, Chicago
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Pedro Lasch: Exhibitions, 2012 - 2013 | ESPACIOS OCUPADOS: DEFINING 99% at Maya Essence - Casa Guatemala, Chicago
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Pedro Lasch: Exhibitions, 2012 - 2013 | Oncena Bienal de La Habana (Evento Teórico) at Havana, Cuba
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Pedro Lasch: Exhibitions, 2012 - 2013 | Pedro Lasch and Twin Towers Go Global (TTGG) / Three Anniversary Reports (Part 3), AND AND AND Platform, Documenta 13. at Kassel, Germany & worldwide
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Pedro Lasch: Exhibitions, 2012 - 2013 | The Silent University at Tate Modern, London, UK
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Pedro Lasch: Exhibitions, 2012 - 2013 | Where Do We Migrate To? at Contemporary Arts Center, New Orleans
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Pedro Lasch: Exhibitions, 2012 - 2013 | Where Do We Migrate To? at Sheila C. Johnson Design Center, Parsons the New School for Design, New York
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Pedro Lasch: Exhibitions, 2012 - 2013 | Wide Open School at Hayward Gallery, Southbank Centre, London, UK
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Pedro Lasch: Exhibitions, 2012 - 2013 | Zone of Contention: The U.S./Mexico Border at Weatherspoon Art Museum, Greensboro, NC
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Peformance for Professor Tom Brother’s Mus 144 Class “Meet the Beatles and The 1960’s”
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Pelleas and Melisande | at English National Opera, London
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Perform at conference on Romanticism, Thomas Pfau
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Performance for CIompi’s patron Ruth Mary Meyer’s memorial concert
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Performance for Duke University Founder’s Day
Convocation
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Performance for final projects of Professor Philip Rupprecht’s Mus 461 Music Theory Class
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Performance for Incidental Dreaming: Hearing Shakespeare, Seeing Mendelssohn in A Midsummer Night’s Dream
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Performance for Mallatme Youth Chamber Orchestra
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Performance for Mary Duke Biddle Trent Semans’s Memorial Service
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Performance for Prof. Brenda Neece’s Class
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Performance for Prof. Brenda Scott’s class
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Performance for Prof. Davidson’s Mus.49 S Class
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Performance for Prof. Harry Davidson’s Mus 49S class
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Performance for Professor Davidson’s S 49 Class “Composers of Influence"
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Performance for Professor Harry Davidson’s Mus Class “Composers and Its Influence”,
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Performance in R. Larry Todd’s MALS course
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Performance of Beethoven Quartets in Prof. Harry Davidson’s Seminar
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Performance of Elgar’s “Introduction and Allegro” for String Quartet and Orchestra with the Duke Symphony Orchestra
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Performance of Robert Ward Overture
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