Book section · January 1, 2015
Destruction in art is not destruction of art, but rather an aesthetic technique for creating new forms of perception and knowledge related to violence in society, war and trauma, tracking in bodies, economic crisis, environmental contamination, natural dis ...
Full textCite
Book section · January 1, 2015
Nevertheless, semiotics cuts a far narrower swath in theatre studies than in literary analysis. Semiotic inquiry frequently focuses on relatively conventional productions of dramatic texts, and has oen been less auned to avant-garde experimentation or broa ...
Full textCite
Book section · January 1, 2015
Opinions divide on how to dene anti-art. e concept has become a multipurpose signier for the denunciation of art, rejection of aesthetic norms, ridicule of art institutions, repudiation of art markets, and is even sometimes confused with iconoclasm. Initia ...
Full textCite
Book section · January 1, 2015
Fluxus is an international movement of artists, poets, composers, and individuals formally untrained in art, producing objects, installations, performances, collective festivals, celebrations, exhibitions, publications, mail art, editions, and multiples. O ...
Full textCite
Book section · 2013
This text reflects on the growth of artists’ writings globally, taking into consideration the intersecting factors of international political upheavals since 1989; the digital revolution and Internet age; and the "visual turn" that began in the 1990s. The ...
Cite
Book section · 2013
This extensive essay/annotated bibliography on Performance Art is divided into the following divisions, many with sub-sections. It begins with the following divisions: General Overview; Major Exhibitions; Journals; Modernist Avant-Garde Performance; and Po ...
Cite
Book section · 2013
Listen to Binyavanga Wainaina, Kenyan author and winner of the prestigious Caine Prize for African Writing, commenting after an encounter with Wangechi Mutu’s art. “Your power to rearrange what has been presented to control you is your powerful weapon,” he ...
Cite
Book section · 2007
excerpted in Dan Perjovschi Post R, for the exhibition “Media Culpa,” Bucharest, Romania, 1995; reprinted with a new Afterword in Jean O'Barr, Nancy Hewitt, Nancy Rosebaugh, eds., Talking Gender: Public Images, Personal Journeys, and Political Critiques (C ...
Link to itemCite
