Overview
Called “spellbindingly beautiful” (Steve Smith, Time Out New York), "hypnotic...eerily beautiful" (Vivien Schweitzer, The New York Times), and "fascinating" (Philip Clark, The Guardian), the work of composer John Supko (b. 1980, NY) explores intersections: chance and intention; traditional music notation and real-time score generation; sound and spoken text; installation and performance; human and computer creativity. In recent years, Supko has been developing generative software to navigate his vast archives of field recordings, sampled acoustic and digital instruments, noise, and voice recordings. He uses this software to find unexpected compositional possibilities as well as to create dynamic sonic environments that are integrated into live performance with human musicians. Supko has also been experimenting with new forms of documentation for his music. Works such as A Free Invention for George Pitcher exist solely as software that ‘performs’ a new version of itself each time it is activated. He is a recipient of the Fulbright (2002) and Georges Lurcy (2007) fellowships, both for Paris, France, where he studied at the Ecole Normale de Musique. He has won numerous prizes and grants, among them the BMI Student Composer Award, two ASCAP/Morton Gould Young Composers Awards (including the 2008 Leo Kaplan Award), the Grand Prize of the National Young Composers Competition, the Perkins Prize of the Princeton University Music Department and a Commissioning Music/USA Meet the Composer commission. His work has been published in collaborative editions with the poet Philippe Denis by Collection Mémoires (Paris) and by Harpo & (Marseille), and has been released on the New Amsterdam and Cotton Goods labels. His 2014 collaborative album s_traits (with Bill Seaman) was named in "Best of 2014" recording lists in The New York Times and The Boston Globe. Currently Associate Professor of Music at Duke University, where he co-directs The Emergence Lab with Bill Seaman, Supko holds degrees from the Indiana University Jacobs School of Music (BM) and Princeton University (PhD).
Current Appointments & Affiliations
Associate Professor of Music
·
2016 - Present
Music,
Trinity College of Arts & Sciences
Associate Professor of Theater Studies
·
2021 - Present
Theater Studies,
Trinity College of Arts & Sciences
Recent Publications
How I Taught My Computer to Write Its Own Music
Other Nautilus · February 12, 2015 I wanted to build the ideal collaborator. Was I ever surprised. ... Link to item CiteRivers
Other · January 1, 2015 Introduction Water plays a key role in the transfer of mass and energy within the Earth system. Incoming solar radiation drives evaporation of about 434 000 km3 a-1 from the ocean surface and 71 000 km3 a-1 from the land surface, while precipitation delive ... Full text Citedivine the rest
Other · December 2013 CiteRecent Artistic Works
Crossed Shadows
Musical Composition January 1, 2024 Performance by Red Clay at DukeTime Becomes Again
Musical Composition January 1, 2024The Bridge of Suns
Musical Composition January 1, 2023View All Artistic Works