Markos Hadjioannou

Journal article International Journal of Performance Arts and Digital Media · March 2011 Featured Publication Where theatre was not dependent on a projector and screen for the manifestation of its fictitious worlds, cinema had to rely on such equipment for its representation of moving photographic images. In so doing, cinema could achieve what theatre could only a ... Cite

Waking Life: The Destiny of Cinema’s Dreamscape; or the Question of Old and New Mediations

Journal article Excursions · 2010 Featured Publication In light of the current transition from celluloid to digital cinema, this paper will explore the relation between old and new technologies as a means for understanding medium specificity as an activity of mediation. While the ongoing debate in screen studi ... Cite

How Does the Digital Matter? Envisioning Corporeality through Christian Volckman’s Renaissance

Journal article Studies in French Cinema · June 2008 Featured Publication Existential phenomenology addresses the idea of vision as an embodied and meaningful activity. Within this schema, perception is already informed by the sensory intentionality of the living being that is setting itself within a dialectical and dialogical r ... Cite

Into Great Stillness, Again and Again: Gilles Deleuze’s Time and the Constructions of Digital Cinema

Journal article Rhizomes · 2008 Featured Publication The direct inscription of reality’s illuminations so fundamental for the creation of celluloid images is missing from the digital, which by forcing a series of conversions into its constructions, makes temporal relations difficult to uphold. Of course, a p ... Cite