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Louise Meintjes
Marcello Lotti Professor
Music
meintjes@duke.edu
Box 90665, Durham, NC 27708-0665
072 Mary Duke Biddle, Durham, NC 27708
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Scholarly Works - Book sections
Louise Meintjes
Ululation
Book section
·
2019
Open Access
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Hi-fi sociality, Lo-fi sound: Affect and precarity in an independent South African recording studio
Book section
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January 1, 2017
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INTRODUCTION
The Politics of Participation in Ngoma Song and Dance
Book section
·
2017
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TURNING TO BE KISSED
Praise, Flirtation, and the Work of Men
Book section
·
2017
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PREFACE
Book section
·
2017
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THE DIGITAL HOMESTEAD
Having a Voice and the Sound of Marginalization
Book section
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2017
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FEET OF THE CENTIPEDE
Military Aesthetics and the Politics of Reconciliation
Book section
·
2017
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TO QUELL THE DANCER'S DUST
Singing Violence during South Africa's Transition
Book section
·
2017
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THE UNWAVERING VOICE
Affect, Eloquence, and the Moral Anger of Men
Book section
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2017
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CLOSING
Ngoma's Masculinity, South Africa's Struggle
Book section
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2017
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THE CROSSING
World Music and Ngoma at Home
Book section
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2017
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DANCING AROUND DISEASE
Silence, Ambiguity, and Brotherhood
Book section
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2017
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BROKERING THE BODY
Culture, Heritage, and the Pleasure of Participation
Book section
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2017
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The Recording Studio as Fetish
Book section
·
2017
Open Access
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Ethnomusicology
Book section
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2012
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The Recording Studio as Fetish
Book section
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2012
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The Politics of the Recording Studio: A Case Study from South Africa
Book section
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2009
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"Reaching Overseas: South African Sound Engineers, Technology and Tradition"
Book section
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2004
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Entries on DownTown Studios and EMI(South Africa)
Book section
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2002
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"John Lindemann" and "West Nkosi"
Book section
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1994
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