Scholars@Duke

• Background
• 

  Education, Training, & Certifications

  • D.Phil., City University of New York 2008
• 

  Duke Appointment History

  • Visiting Assistant Professor in Music, Music, Trinity College of Arts & Sciences 2008 - 2009
• Expertise
• 

  Global Scholarship

  • Research

    • Europe (Continent) 
• Publications & Artistic Works
• 

  Selected Publications

  • Academic Articles

    • Stoia, N., K. Adams, and K. Drakulich. “Rap Lyrics as Evidence: What Can Music Theory Tell Us?.” Race and Justice, January 31, 2017.
    • Stoia, Nicholas. “Triple Counterpoint and Six-Four Chords in Bach's Sinfonia in F Minor.” Music Analysis 34, no. 3 (October 2015): 305–34. https://doi.org/10.1111/musa.12041.
       Full Text
    • Stoia, Nicholas. “The Common Stock of Schemes in Early Blues and Country Music.” Music Theory Spectrum 35, no. 2 (October 2013): 194–234. https://doi.org/10.1525/mts.2013.35.2.194.
       Full Text
    • Stoia, N. “Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920-1945.” Music Theory Online 16, no. 3 (August 1, 2010).
       Link to Item
• Teaching & Mentoring
• 

  Recent Courses

  • MUSIC 143: History of Rock 2019
  • MUSIC 361: Theory and Practice of Tonal Music II 2019
  • MUSIC 461: Theory and Practice of Tonal Music III 2019
  • MUSIC 790S-1: Seminar in the History of Music 2019
  • MUSIC 791: Independent Study 2019
  • MUSIC 261: Theory and Practice of Tonal Music I 2018
  • MUSIC 560: Tonal Analysis 2017

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