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Barbara Dickinson

Professor of the Practice Emerita of Dance
Dance Program
Box 90686, Durham, NC 27708-0686
2020 Campus Drive, Suite 209, Durham, NC 27705

Overview


Barbara Dickinson, Professor Emerita of the Practice of Dance at Duke University, served as Dance Program Director for eighteen years, and faculty member for 34 years, overseeing faculty growth, guiding the focus of a greatly expanded curriculum, and establishing a major in dance. Founder and Artistic Director of the Ways and Means Dance Company from 1986-2002, and of Three For All, a company of dancer, poet, and pianist, from 1981-87, she has performed, taught and presented her choreography in schools, colleges, private studios and dance festivals throughout the United States. She has created many large scale, full evening collaborative choreographic presentations including Walking Miracles, an original dance/theater production based on the stories of six survivors of child sexual abuse; and Contents Under Pressure, an exploration of the many faces of bias in society co-choreographed with Ava LaVonne Vinesett. In addition to over 100 individual works of choreography, she has choreographed a number of full evening works such as Carmina Burana by Carl Orff, performed with the combined choirs of the Duke University Chorale and the Durham Civic Choral Society directed and conducted by Rodney Wynkoop; and with vocal soloists, Metropolitan Opera's Louise Wohlafka and Frankfurt Opera's Nickolas Karousatos. Barbara was a member of Manbites Dog Theater, a professional experimental theater company based in Durham, NC, from its founding in 1987 to its closing some 35 years later, serving as actress, choreographer, and movement consultant. Her research in age and the dance artist has produced a chapter in Staging Age, eds. Marshall and Lipscomb by Palgrave Macmillan, 2010; and the article “Margie Gillis: The Indelible Art of an Integrated Artist” in Dance Chronicle, 41:2, 2018. She is now working on “Ballet and logos: Persistent Identities.” Artistically, she works closely with Michael Kliën as part of his Laboratory for Social Choreography at Duke’s Kenan Institute for Ethics, as well as exploring improvisations with Daniel Levin, cellist through Synchronicity Arts.

Current Appointments & Affiliations


Professor of the Practice Emerita of Dance · 2018 - Present Dance Program, Trinity College of Arts & Sciences

In the News


Published June 11, 2024
P.E., Bowling & Dance: 125 Years of Service and Community in the Ark
Published July 2, 2020
Why Dance? Barbara Dickinson on How Art Teaches About Nuances in Challenging Times
Published June 15, 2016
ADF Commands the Dance Floor Beginning Thursday

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Recent Publications


“Choreographing Empathy” in Walking Miracles, an Original Dance/Theater Work Created from Stories Told by Six Adult Survivors of Child Sexual Abuse

Journal Article Arts · December 11, 2024 Walking Miracles, a dance/theater project, was created from the stories of six adult survivors of child sexual abuse and completed due to the conscientious work of many collaborators. A psychotherapy group of fourteen sessions was audiotaped and at ... Full text Open Access Cite

Margie Gillis: The indelible art of an integrated artist

Journal Article Dance Chronicle · May 4, 2018 This article examines the life and work of Canadian choreographer and performer Margie Gillis, identifying her as an integrated artist and considering her work through perspectives from artists, cognitive scientists, Tibetan Buddhists, and individuals in t ... Full text Open Access Cite

Age and the dance artist

Chapter · August 18, 2010 Full text Cite
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Recent Artistic Works


This Window Makes Me Feel

Choreography April 1, 2017

Liquid Prisoner/Remembrance

Choreography March 1, 2014

Canyon Sunrise

Choreography Dance Production October 12, 2012

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Education, Training & Certifications


American University · 1978 M.A.