Guo-Juin Hong
Associate Professor of Asian and Middle Eastern Studies
Film historiography, film theory, sound studies, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China
Office Hours
Tuesday 10:00-12:00 and by appointment
Current Appointments & Affiliations
- Associate Professor of Asian and Middle Eastern Studies, Asian & Middle Eastern Studies, Trinity College of Arts & Sciences 2011
- Associate Professor of Art, Art History & Visual Studies, Art, Art History & Visual Studies, Trinity College of Arts & Sciences 2020
- Associate Professor in Gender, Sexuality & Feminist Studies, Gender, Sexuality & Feminist Studies, Trinity College of Arts & Sciences 2021
Contact Information
- 2204 Erwin Road, Room 220, Durham, NC 27708
- Box 90414, Durham, NC 27708-0414
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gjhong@duke.edu
- Background
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Education, Training, & Certifications
- Ph.D., University of California - Berkeley 2004
- M.A., San Francisco State University 1995
- B.A., Fu Jen Catholic University (Taiwan) 1991
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Previous Appointments & Affiliations
- Director of the Program in Arts of the Moving Image, Art of the Moving Image, Literature 2013 - 2018
- Assistant Professor of Asian and African Languages and Literature, Asian & Middle Eastern Studies, Trinity College of Arts & Sciences 2004 - 2011
- Andrew W. Mellon Assistant Professor, Asian & Middle Eastern Studies, Trinity College of Arts & Sciences 2008 - 2009
- Recognition
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In the News
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OCT 13, 2014 -
NOV 18, 2013 -
AUG 23, 2013 Duke Today
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Awards & Honors
- Expertise
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Subject Headings
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Global Scholarship
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Expertise
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Research
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- Research
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Selected Grants
- AMI MD Biddle 2017 Proposal awarded by Mary Duke Biddle Foundation 2017
- Publications & Artistic Works
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Selected Publications
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Books
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Hong, Guo-Juin. Taiwan Cinema: A Contested Nation on Screen. Palgrave Macmillan, 2011.
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Hong, G. J. Taiwan cinema: A contested nation on screen, 2011. https://doi.org/10.1057/9780230118324.Full Text
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Academic Articles
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Hong, G. J. “Voices and their discursive Dis/Content in Taiwan documentary.” Frontiers of Literary Studies in China 7, no. 2 (January 1, 2013): 183–93. https://doi.org/10.3868/s010-002-013-0010-8.Full Text
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Hong, G. “Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries.” Positions: East Asia Cultures Critique, 2012.
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Hong, G. “Voice and Its Dis/Content in New Taiwan Documentary.” Frontiers of Literary Studies in China, 2012.
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Hong, G. “Historiography of Absence: Taiwan Cinema before New Cinema 1982.” Journal of Chinese Cinemas 4, no. 1 (2010): 5–14.
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Guo Juin Hong, C. “Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films.” Journal of Chinese Cinemas 3, no. 3 (2009): 215–30.
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Hong, Guo-Juin. “Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries.” Positions: East Asia Cultures Critique, 2009.
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Hong, Guo-Juin. “From the Masses to the Masses.” Visual Anthropology 22 (2009): 75–76.
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Hong, G. “Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary (Submitted).” Postions: East Asia Cultural Critique, 2006.
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Hong, G. “Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai (Submitted).” Cinema Journal, 2006.
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Hong, G. “Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai.” Positions: East Asia Cultural Critique, 2005.
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Hong, G. “Toying with History: Toys and Film Consumption/Criticism/ History.” Chungwai Wenxue (Chung Wai Literary Monthly), September 2002.
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Hong, G. “Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary.” Film Appreciation Journal, no. 111 (March 2002).
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Book Sections
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Hong, G. “Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films.” In Queer Sinophone Cultures, edited by Howard Chiang and Ari Larissa Heinrich. Routledge, 2013.
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Hong, G. “Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films.” In Sinophone Queer Reader, 2012.
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Hong, G. “Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema.” In The Chinese Cinema Book, edited by Song Hwee Lim and Julian Ward. British Film Institute, 2011.
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Hong, G. “Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films.” In Sinophone Queer Cinema, 2011.
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Hong, Guo-Juin. “Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema.” In Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Olivia Khoo and Sean Metzger, 57–72. Intellect, the University of Chicago Press, 2009.
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Hong, G. “Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy.” In Techologies of Temporality in Chinese Cinema, 2006.
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Other Articles
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Hong, G. “The Chinese Film Theory.” University of Amsterdam Press, 2011.
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Simmons, Charles. “Salt Water.” Locus Publishing Company, Taipei, Taiwan, August 2002.
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- Teaching & Mentoring
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Recent Courses
- AMES 129: Master Filmmakers of Chinese Cinemas 2023
- AMES 511: Documentary and East Asian Cultures 2023
- AMES 593: Research Independent Study 2023
- AMES 631: Questions of National Cinemas 2023
- CINE 250: Master Filmmakers of Chinese Cinemas 2023
- CINE 511: Documentary and East Asian Cultures 2023
- CINE 632: Questions of National Cinemas 2023
- DOCST 511: Documentary and East Asian Cultures 2023
- ICS 513: Documentary and East Asian Cultures 2023
- LIT 214: Master Filmmakers of Chinese Cinemas 2023
- LIT 632: Questions of National Cinemas 2023
- MFAEDA 721: MFAEDA Workshop and Critique II 2023
- MFAEDA 723: MFAEDA Workshop and Critique IV 2023
- VMS 235: Master Filmmakers of Chinese Cinemas 2023
- VMS 632: Questions of National Cinemas 2023
- AMES 129: Master Filmmakers of Chinese Cinemas 2022
- AMES 511: Documentary and East Asian Cultures 2022
- AMES 593: Research Independent Study 2022
- AMES 631: Questions of National Cinemas 2022
- CINE 250: Master Filmmakers of Chinese Cinemas 2022
- CINE 632: Questions of National Cinemas 2022
- DOCST 511: Documentary and East Asian Cultures 2022
- ICS 513: Documentary and East Asian Cultures 2022
- LIT 214: Master Filmmakers of Chinese Cinemas 2022
- LIT 632: Questions of National Cinemas 2022
- MFAEDA 721: MFAEDA Workshop and Critique II 2022
- MFAEDA 723: MFAEDA Workshop and Critique IV 2022
- VMS 235: Master Filmmakers of Chinese Cinemas 2022
- VMS 632: Questions of National Cinemas 2022
- AMES 511: Documentary and East Asian Cultures 2021
- AMES 593: Research Independent Study 2021
- AMES 631: Questions of National Cinemas 2021
- CINE 632: Questions of National Cinemas 2021
- DOCST 511: Documentary and East Asian Cultures 2021
- ICS 513: Documentary and East Asian Cultures 2021
- LIT 632: Questions of National Cinemas 2021
- VMS 632: Questions of National Cinemas 2021
- Scholarly, Clinical, & Service Activities
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Presentations & Appearances
- Queering Spectatorship in Tsai Ming-Liang's Films. October 25, 2013 2013
- Documentaries in Taiwan. October 11, 2013 2013
- Sinophone Queer Cinema. October 10, 2013 2013
- Voices and Their Dis/Content in Taiwan Documentary. July 11, 2012 2012
- Taiwan Cinema. June 9, 2012 2012
- Words and Their Dis/Content in Taiwan Documentry. February 25, 2012 2012
- Cinema Forum, Busan International Film Festival. January 2, 2011 2011
- Hou Hsiao-Hsien before Hou Hsiao-Hsien: Film Aesthetic in Transition, 1980-1982. October 23, 2010 2010
- From Rootlessness to Rootedness: Constructed Homeland in Taiwan Cinema. October 2, 2010 2010
- Film Historiographies and Taiwan Cinema before 1945. June 4, 2010 2010
- The Poetics of Cinema in Transition, Taiwan 1980-82. February 19, 2010 2010
- Chronicles of the New and Its Repetition: Historicizing Genre and Style in Taiwan Cinema. October 29, 2009 2009
- Words and Sound in New Taiwanese Documentary Movement. June 6, 2009 2009
- Voices and Their DIs/Content in New Taiwan Documentary. February 12, 2009 2009
- Around the Corner of the Sea: Cape No. 7 and Taiwan Cinema in the Age of Globalization. December 14, 2008 2008
- Words and Sound: Voices in New Taiwan Documentary and Their Dis/Content. December 5, 2008 2008
- Colonial Archives, Postcolonial Archaeology. July 1, 2008 2008
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