Scholars@Duke

• Background
• 

  Education, Training, & Certifications

  • Ph.D., University of California - Berkeley 2004
  • M.A., San Francisco State University 1995
  • B.A., Fu Jen Catholic University (Taiwan) 1991
• 

  Previous Appointments & Affiliations

  • Director of the Program in Arts of the Moving Image, Art of the Moving Image, Literature 2013 - 2018
  • Assistant Professor of Asian and African Languages and Literature, Asian & Middle Eastern Studies, Trinity College of Arts & Sciences 2004 - 2011
  • Andrew W. Mellon Assistant Professor, Asian & Middle Eastern Studies, Trinity College of Arts & Sciences 2008 - 2009
• Recognition
• 

  In the News

  • OCT 13, 2014

    Filming the Great Famine of China

  • NOV 18, 2013

    Documenting the South Through Sound

  • AUG 23, 2013

    Duke Today

    Go Inside Franklin Humanities' New Audiovisualities Lab
• 

  Awards & Honors

  • John Hope Franklin Humanities Institute Annual Seminar. Duke University. March 2010
  • Andrew W. Mellon Assistant Professorship. Duke University. 2010
  • The Katherine Kovacs Essay Awards, Honorable Mention. Society for Cinema and Media Studies. March 2009
• Expertise
• 

  Subject Headings

  • Motion picture film
  • Propaganda
  • Voice
• 

  Global Scholarship

  • Expertise

    • China (Country) 
    • Taiwan (Country) 

  • Research

    • China (Country) 
    • Taiwan (Country) 
• Research
• 

  Selected Grants

  • AMI MD Biddle 2017 Proposal awarded by Mary Duke Biddle Foundation 2017
• Publications & Artistic Works
• 

  Selected Publications

  • Books

    • Hong, Guo-Juin. Taiwan Cinema: A Contested Nation on Screen. Palgrave Macmillan, 2011.
    • Hong, G. J. Taiwan cinema: A contested nation on screen, 2011. https://doi.org/10.1057/9780230118324.
       Full Text

  • Academic Articles

    • Hong, G. J. “Voices and their discursive Dis/Content in Taiwan documentary.” Frontiers of Literary Studies in China 7, no. 2 (January 1, 2013): 183–93. https://doi.org/10.3868/s010-002-013-0010-8.
       Full Text
    • Hong, G. “Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries.” Positions: East Asia Cultures Critique, 2012.
    • Hong, G. “Voice and Its Dis/Content in New Taiwan Documentary.” Frontiers of Literary Studies in China, 2012.
    • Hong, G. “Historiography of Absence: Taiwan Cinema before New Cinema 1982.” Journal of Chinese Cinemas 4, no. 1 (2010): 5–14.
    • Guo Juin Hong, C. “Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films.” Journal of Chinese Cinemas 3, no. 3 (2009): 215–30.
    • Hong, Guo-Juin. “Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries.” Positions: East Asia Cultures Critique, 2009.
    • Hong, Guo-Juin. “From the Masses to the Masses.” Visual Anthropology 22 (2009): 75–76.
    • Hong, G. “Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary (Submitted).” Postions: East Asia Cultural Critique, 2006.
    • Hong, G. “Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai (Submitted).” Cinema Journal, 2006.
    • Hong, G. “Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai.” Positions: East Asia Cultural Critique, 2005.
    • Hong, G. “Toying with History: Toys and Film Consumption/Criticism/ History.” Chungwai Wenxue (Chung Wai Literary Monthly), September 2002.
    • Hong, G. “Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary.” Film Appreciation Journal, no. 111 (March 2002).

  • Book Sections

    • Hong, G. “Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films.” In Queer Sinophone Cultures, edited by Howard Chiang and Ari Larissa Heinrich. Routledge, 2013.
    • Hong, G. “Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films.” In Sinophone Queer Reader, 2012.
    • Hong, G. “Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema.” In The Chinese Cinema Book, edited by Song Hwee Lim and Julian Ward. British Film Institute, 2011.
    • Hong, G. “Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films.” In Sinophone Queer Cinema, 2011.
    • Hong, Guo-Juin. “Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema.” In Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Olivia Khoo and Sean Metzger, 57–72. Intellect, the University of Chicago Press, 2009.
    • Hong, G. “Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy.” In Techologies of Temporality in Chinese Cinema, 2006.

  • Other Articles

    • Hong, G. “The Chinese Film Theory.” University of Amsterdam Press, 2011.
    • Simmons, Charles. “Salt Water.” Locus Publishing Company, Taipei, Taiwan, August 2002.
• Teaching & Mentoring
• 

  Recent Courses

  • AMES 129: Master Filmmakers of Chinese Cinemas 2023
  • AMES 511: Documentary and East Asian Cultures 2023
  • AMES 593: Research Independent Study 2023
  • AMES 631: Questions of National Cinemas 2023
  • CINE 250: Master Filmmakers of Chinese Cinemas 2023
  • CINE 511: Documentary and East Asian Cultures 2023
  • CINE 632: Questions of National Cinemas 2023
  • DOCST 511: Documentary and East Asian Cultures 2023
  • ICS 513: Documentary and East Asian Cultures 2023
  • LIT 214: Master Filmmakers of Chinese Cinemas 2023
  • LIT 632: Questions of National Cinemas 2023
  • MFAEDA 721: MFAEDA Workshop and Critique II 2023
  • MFAEDA 723: MFAEDA Workshop and Critique IV 2023
  • VMS 235: Master Filmmakers of Chinese Cinemas 2023
  • VMS 632: Questions of National Cinemas 2023
  • AMES 129: Master Filmmakers of Chinese Cinemas 2022
  • AMES 511: Documentary and East Asian Cultures 2022
  • AMES 593: Research Independent Study 2022
  • AMES 631: Questions of National Cinemas 2022
  • CINE 250: Master Filmmakers of Chinese Cinemas 2022
  • CINE 632: Questions of National Cinemas 2022
  • DOCST 511: Documentary and East Asian Cultures 2022
  • ICS 513: Documentary and East Asian Cultures 2022
  • LIT 214: Master Filmmakers of Chinese Cinemas 2022
  • LIT 632: Questions of National Cinemas 2022
  • MFAEDA 721: MFAEDA Workshop and Critique II 2022
  • MFAEDA 723: MFAEDA Workshop and Critique IV 2022
  • VMS 235: Master Filmmakers of Chinese Cinemas 2022
  • VMS 632: Questions of National Cinemas 2022
  • AMES 511: Documentary and East Asian Cultures 2021
  • AMES 593: Research Independent Study 2021
  • AMES 631: Questions of National Cinemas 2021
  • CINE 632: Questions of National Cinemas 2021
  • DOCST 511: Documentary and East Asian Cultures 2021
  • ICS 513: Documentary and East Asian Cultures 2021
  • LIT 632: Questions of National Cinemas 2021
  • VMS 632: Questions of National Cinemas 2021
• Scholarly, Clinical, & Service Activities
• 

  Presentations & Appearances

  • Queering Spectatorship in Tsai Ming-Liang's Films. October 25, 2013  2013
  • Documentaries in Taiwan. October 11, 2013  2013
  • Sinophone Queer Cinema. October 10, 2013  2013
  • Voices and Their Dis/Content in Taiwan Documentary. July 11, 2012  2012
  • Taiwan Cinema. June 9, 2012  2012
  • Words and Their Dis/Content in Taiwan Documentry. February 25, 2012  2012
  • Cinema Forum, Busan International Film Festival. January 2, 2011  2011
  • Hou Hsiao-Hsien before Hou Hsiao-Hsien: Film Aesthetic in Transition, 1980-1982. October 23, 2010  2010
  • From Rootlessness to Rootedness: Constructed Homeland in Taiwan Cinema. October 2, 2010  2010
  • Film Historiographies and Taiwan Cinema before 1945. June 4, 2010  2010
  • The Poetics of Cinema in Transition, Taiwan 1980-82. February 19, 2010  2010
  • Chronicles of the New and Its Repetition: Historicizing Genre and Style in Taiwan Cinema. October 29, 2009  2009
  • Words and Sound in New Taiwanese Documentary Movement. June 6, 2009  2009
  • Voices and Their DIs/Content in New Taiwan Documentary. February 12, 2009  2009
  • Around the Corner of the Sea: Cape No. 7 and Taiwan Cinema in the Age of Globalization. December 14, 2008  2008
  • Words and Sound: Voices in New Taiwan Documentary and Their Dis/Content. December 5, 2008  2008
  • Colonial Archives, Postcolonial Archaeology. July 1, 2008  2008

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