Chapter · July 31, 2022
By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. ...
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OtherFilm Quarterly · December 10, 2019
Review of Documentary Filmmaking in Contemporary Brazil: Cinematic Archives of the Present (Oxford, 2019), along with an interview with the author ...
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Journal Articlerevista cine documental · August 1, 2019
A partir de la noción de que el cine y el derecho constituyen prácticas y regímenes discursivos afines, pese a sus distintas funciones sociales, el presente ensayo elabora la relación entre estos dos campos mediante un análisis del trabajo de la directora ...
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Book · January 8, 2019
Centered on an eclectic cluster of documentaries -from ethnographic documentaries and indigenous videos to films concerned with social and criminal justice, including first-person, essayistic films - this book brings into view the ... ...
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Journal ArticleNew Cinemas: Journal of Contemporary Film · September 1, 2015
AbstractAlthough Andrés di Tella is among the leading documentary filmmakers in South America, his work has received scant attention in the Anglophone world. Di Tella’s essayistic films mix personal and inti ...
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Journal ArticleJournal of Latin American Cultural Studies · 2013
A landmark of Brazilian cinema, Iracema: Uma transa Amazônica (1974), by Orlando Senna and Jorge Bodansky, remains an underexplored film. This fiction-documentary hybrid is a visual reflection on territoriality, mobility, and borders—borders that are inher ...
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