Jeremy Begbie
Thomas A. Langford Distinguished Research Professor of Theology
Jeremy Begbie teaches systematic theology, and specializes in the interface between theology and the arts. His particular research interests are in the interplay between music and theology.
Duke Initiatives in Theology and the Arts
Previously Associate Principal of Ridley Hall, Cambridge, he has also been Honorary Professor at the University of St Andrews, where he directed the research project, Theology Through the Arts at the Institute for Theology, Imagination and the Arts. He is a Senior Member of Wolfson College and an Affiliated Lecturer in the Faculty of Music at the University of Cambridge.
He studied philosophy and music at Edinburgh University, and theology at Aberdeen and Cambridge. A professionally trained musician, he has performed extensively as a pianist, oboist and conductor. He is an ordained minister of the Church of England, having served for a number of years as assistant pastor of a Church in West London.
He is author of a number of books, including Voicing Creation's Praise: Towards a Theology of the Arts (T & T Clark); Theology, Music and Time (CUP), and most recently, Resounding Truth: Christian Wisdom in the World of Music (Baker/SPCK), which won the Christianity Today 2008 Book Award in the Theology/Ethics Category. He has taught widely in the UK and North America, and delivered multimedia performance-lectures across the world, from Israel to Australia and Hong Kong.
Current Appointments & Affiliations
- Thomas A. Langford Distinguished Research Professor of Theology, Divinity School, Duke University 2019 - 2028
- Research Professor, Divinity School, Duke University 2012
Contact Information
- 148 Langford Bldg, Durham, NC 27708
- Duke Box 90967, Durham, NC 27708
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jeremy.begbie@duke.edu
(919) 660-3591
- Background
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Education, Training, & Certifications
- Ph.D., University of Aberdeen (United Kingdom) 1987
- B.A., University of Edinburgh (United Kingdom) 1977
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Previous Appointments & Affiliations
- Thomas A. Langford Distinguished Research Professor of Theology, Divinity School, Duke University 2014 - 2018
- Thomas A. Langford Distinguished Research Professor of Theology, Divinity School, Duke University 2012 - 2013
- Research Professor, Divinity School, Duke University 2009 - 2011
- Thomas A. Langford Distinguished Research Professor of Theology, Divinity School, Duke University 2009 - 2011
- Recognition
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In the News
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MAR 15, 2021 -
SEP 4, 2019 Divinity School -
MAY 31, 2019 Duke Divinity School -
MAY 7, 2019 -
JUN 29, 2018 -
JUN 17, 2015 -
JUN 17, 2015 Duke Today -
MAR 20, 2014 -
JAN 29, 2014 -
JAN 29, 2014 Duke Today -
OCT 29, 2013
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- Expertise
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Global Scholarship
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Expertise
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Research
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- Research
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Selected Grants
- Theology and the Arts Kenan support awarded by William R. Kenan, Jr. Charitable Trust 2018
- Arts & Theology: Duke-Cambridge Partnership awarded by Mary Duke Biddle Foundation 2009 - 2011
- Publications & Artistic Works
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Selected Publications
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Books
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Hart, T. A., G. Hopps, and J. Begbie. Art, imagination and Christian hope : patterns of promise: patterns of promise. Farnham, Surrey: Ashgate, 2012.Link to Item
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Begbie, J., S. R. Guthrie, and J. D. Witvliet. Resonant witness: conversations between music and theology. Grand Rapids, Mich: William B Eerdmans, 2011.Link to Item
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McSwain, J., and J. Begbie. Movements of grace : the dynamic christo-realism of Barth, Bonhoeffer, and the Torrances: the dynamic christo-realism of Barth, Bonhoeffer, and the Torrances. Eugene, Or: Wipf & Stock Publishers, 2010.Link to Item
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Begbie, J. Resounding truth: Christian wisdom in the world of music. London: SPCK, 2008.Link to Item
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Begbie, J. Resounding truth : Christian wisdom in the world of music: Christian wisdom in the world of music. Grand Rapids, Mich: Baker Academic, 2007.Link to Item
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Begbie, J., and N. Wolterstorff. Sounding the depths: theology through the arts. London: SCM Pr, 2002.Link to Item
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Begbie, J. Theology, music and time. Cambridge: Cambridge Univ Pr, 2000.Link to Item
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Begbie, J. Beholding the glory: incarnation through the arts. Grand Rapids, MI: Baker Books, 2000.Link to Item
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Begbie, J. Voicing creation's praise: towards a theology of the arts. Edinburgh: T & T Clark, 1991.Link to Item
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Academic Articles
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Begbie, J. “Pressing at the boundaries of modernity: a review essay.” Christian Scholar’S Review 40, no. 4 (June 1, 2011): 453–65.Link to Item
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Begbie, J. S. ““On the Strange Place of Contemporary Art,” article review of On the Strange Place of Religion in Contemporary Art, James Elkins (New York: Routledge, 2004) and God in the Gallery: A Christian Embrace of Modern Art, Daniel Siedell (Grand Rapids, Michigan: Baker Academic, 2008).” Image Journal, no. 64 (2009): 105–13.
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Begbie, J. “Sound theology: meaning in music.” Christian Century 124, no. 23 (November 13, 2007): 20–25.Link to Item
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Jeremy Begbie, J. “Sound theology.” The Christian Century 124, no. 23 (2007): 20.Link to Item
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Begbie, J. “The theological potential of music: a response to Adrienne Dengerink Chaplin.” Christian Scholar’S Review 33, no. 1 (September 1, 2003): 135–41.Link to Item
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Begbie, J. S. “Calvin. Die Musik und Gottes Wort.” Berliner Theologische Zeitschrift, 2003, 85–103.
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Begbie, J. S. “Scandalous Art, Scandalous Theology.” Art and Christianity 34 (2003).
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Begbie, J. “Rediscovering and Re-Imagining the Atonement.” Anvil 11, no. 3 (January 1, 1994): 193–202.Link to Item
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Begbie, J. “Who Is This God?--Biblical Inspiration Revisited.” Tyndale Bulletin 43, no. 2 (November 1, 1992): 259–82.Link to Item
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Begbie, J. S. “The Spirituality of Renewal Music: A Preliminary Exploration.” Anvil 8, no. 3 (1991): 227–39.
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Begbie, J. S. “The Confessing Church and the Nazis: A Struggle for Theological Truth.” Anvil 2, no. 2 (1985): 117–30.
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Begbie, J. S. “Music in God’s World.” Books and Culture 13, no. 5 (n.d.): 28–31.
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Book Sections
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Begbie, J. S. “The Future of Theology Amid the Arts: Some Reformed Reflections.” In Christ Across the Disciplines: Past, Present, Future. Grand Rapids, MI: Eerdmans, 2013.
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Begbie, J. S. “Natural Theology and Music.” In The Oxford Handbook of Natural Theology, edited by R. R. Manning. Oxford: Oxford University Press, 2013.
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Begbie, J. S. “Faithful Feelings: Music and Emotion in Worship.” In Resonant Witness, edited by S. Guthrie and J. S. Begbie, 323–54. Grand Rapids, Michigan: Eerdmans, 2013.
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Begbie, J. S. “Openness and Specificity: A Conversation with David Brown on Theology and Classical Music.” In Theology, Aesthetics and Culture: Conversations with the Work of David Brown, edited by R. MacSwain and T. Worley. Oxford: Oxford University Press, 2012.
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Begbie, J. S., and R. Stockitt. “Foreword to Restoring the Shamed: Towards a Theology of Shame.” In Restoring the Shamed: Towards a Theology of Shame. Eugene Oregon: Wipf & Stock, 2012.
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Begbie, J. “Confidence and anxiety in Elgar's Dream of Gerontius.” In Music and Theology in Nineteenth-Century Britain, 197–213. Farnham, Surrey: Ashgate, 2012.Link to Item
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Begbie, J. S. “Repetition and Eucharist.” In The Modern Theologians Reader, edited by D. F. Ford, M. Higton, and S. Zahl. Oxford: Wiley-Blackwell, 2011.
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Begbie, J. S. “Created Beauty: The Witness of J. S. Bach.” In Resonant Witness, edited by J. S. Begbie and S. Guthrie, 83–108. Grand Rapids, Michigan: Eerdmans, 2011.
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Begbie, J. S., and S. R. Guthrie. “Foreword to Creator Spirit: The Holy Spirit and the Art of Becoming Human.” In Creator Spirit: The Holy Spirit and the Art of Becoming Human, vii–viii. Grand Rapids, Michigan: Baker Books, 2011.
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Begbie, J. “The shape of things to come? Wright amidst emerging ecclesiologies.” In Jesus, Paul and the People of God, 183–208. Downers Grove, Ill: IVP Academic, 2011.Link to Item
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Begbie, J. S. “Foreword to Julian of Norwich: Revelations of Divine Love.” In Julian of Norwich: Revelations of Divine Love, edited by H. Backhouse and R. Pipe, xv–xxi. London: Hodder & Stoughton, 2010.
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Begbie, J. S. “Worldview, measurement and ‘the roots of spirituality,’.” In The Archaeology of Measurement: Comprehending Heaven, Earth and Time in Ancient Societies, edited by I. Morley and C. Renfrew, 250–56. Cambridge: Cambridge University Press, 2010.
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Begbie, J. “The future: looking to the future: a hopeful subversion.” In For the Beauty of the Church, 165–85. Grand Rapids: Baker Books, 2010.Link to Item
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Begbie, J. “The sense of an ending.” In Place for Truth, 216–38. Downers Grove: IVP Books, 2010.Link to Item
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Begbie, J. S. “Resonances and Challenges: A Response to the Collection.” In Faithful Performances, edited by T. Hart and S. Guthrie, 273–80. Aldershot: Ashgate, 2007.
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Begbie, J. “Beauty, sentimentality and the arts.” In Beauty of God, 45–69. Downers Grove, Ill: IVP Academic, 2007.Link to Item
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Begbie, J. “Created beauty: the witness of J S Bach.” In Beauty of God, 19–44. Downers Grove, Ill: IVP Academic, 2007.Link to Item
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Begbie, J. S. “Music, The Bible and.” In Dictionary for Theological Interpretation of Scripture, edited by K. Vanhoozer, D. Treier, C. Bartholomew, and N. T. Wright, 521–24. Grand Rapids, Michigan: Baker Books, 2005.
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Begbie, J. S. “Worship.” In Dictionary for Theological Interpretation of Scripture, edited by K. Vanhoozer, D. Treier, C. Bartholomew, and N. T. Wright, 856–58. Grand Rapids, Michigan: Baker Books, 2005.
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Begbie, J. S. “Theology and the Arts: Music.” In The Modern Theologians, edited by D. Ford and R. Muers, 719–35. Oxford: Blackwell, 2005.
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Begbie, J. S. “The Powers of Music in Worship.” In Imagination and Interpretation: Christian Perspectives, edited by H. Boersma, 109–27. Vancouver, British Columbia: Regent College Publishing, 2005.
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Begbie, J. S. “Moving in Mysterious Waves: Music, Meter, Silence, and Hope.” In Spiritual Information: 100 Perspectives, edited by C. L. Harper, 528–33. Philadelphia: Templeton Foundation Press, 2005.
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Begbie, J. S. “Music, Mystery and Sacrament.” In The Gestures of God: Explorations in Sacramentality, edited by G. Rowell and C. Hall, 173–91. London: Continuum, 2004.
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Begbie, J. “Unexplored eloquencies: music, media, religion and culture.” In Mediating Religion, 93–106. London: T&T Clark, 2003.Link to Item
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Begbie, J. S. “Foreword to Art, Artists and Gaugin: The Complete Works of Hans R. Rookmaaker Volume 1.” In Art, Artists and Gaugin: The Complete Works of Hans R. Rookmaaker Volume 1, edited by M. Hengelaar-Rookmaaker, xiii–xiv. Carlisle: Piquant Press, 2002.
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Begbie, J. S. “Music, Word and Theology Today: Learning from John Calvin.” In Theology in Dialogue: The Impact of the Arts, Humanities and Science on Contemporary Religious Thought, edited by L. Holness and R. Wüstenberg, 3–27. Grand Rapids, Michigan: Eerdmans, 2002.
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Begbie, J. S. “Prayer and Music.” In Perspectives on Prayer, edited by F. Watts, 67–80. London: SPCK, 2001.
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Begbie, J. S. “Play it (Again): Music, Theology and Divine Communication.” In Creative Chords: Studies in Music, Theology and Christian Formation, edited by J. Astley, T. Hone, and M. Savage, 45–75. Leominster: Gracewing, 2000.
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Begbie, J. S., and C. Gunton. “Christianity and the Arts.” In The Cambridge Companion to Christian Doctrine, 101–18. Cambridge: Cambridge University Press, 1997.
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Begbie, J. S. “Art.” In Dictionary of Ethics, Theology and Society, edited by P. B. Clarke and A. Linzey, 50–54. London/New York: Routledge, 1996.
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Begbie, J. S. “Theology and the Arts: Music.” In The Modern Theologians, edited by D. Ford, 686–99. Oxford: Blackwell, 1996.
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Begbie, J. “Theology through music : Tavener, time and eternity.” In Essentials of Christian Community, 23–34. Edinburgh: T & T Clark, 1996.Link to Item
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Begbie, J. “The ambivalent rainbow : Forsyth, art and creation.” In Justice the True and Only Mercy, 197–219. Edinburgh: T & T Clark, 1995.Link to Item
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Begbie, J. “The gospel, the arts and our culture.” In Gospel and Contemporary Culture, 58–83. London: Mowbray, 1992.Link to Item
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Begbie, J. “Creation, Christ and culture in Dutch Neo-Calvinism.” In Christ in Our Place, 113–32. Allison Park, Penn: Pickwick Pubns, 1989.Link to Item
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Begbie, J. S. “Calvin.” In The Oxford Dictionary of World Religions, edited by J. Bowker, 50–54. Oxford: Oxford University Press, 1977.
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Begbie, J. S. “Calvinism.” In The Oxford Dictionary of World Religions, edited by J. Bowker, 50–54. Oxford: Oxford University Press, 1977.
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- Teaching & Mentoring
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Recent Courses
- LTS 875: Theology and Music 2023
- XTIANTHE 815: Theology and Music 2023
- XTIANTHE 972: Advanced Studies in Theology and the Arts 2023
- XTIANTHE 999: Directed Study 2023
- LTS 875: Theology and Music 2022
- WXTIAN 819: Readings in Lesslie Newbigin's Theology 2022
- XTIANTHE 815: Theology and Music 2022
- XTIANTHE 819: Readings in Lesslie Newbigin's Theology 2022
- XTIANTHE 815: Theology and Music 2021
- XTIANTHE 847: Theology of Rowan Williams 2021
- XTIANTHE 999: Directed Study 2021
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