Book · December 2012
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Cinema has been undergoing a technological shift in recent years, in which celluloid film is being replaced by digital media in the production, distribution, projection and reception of moving images. While these changes have had a direct impact on the org ...
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Journal ArticleInternational Journal of Performance Arts and Digital Media · March 2011
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Where theatre was not dependent on a projector and screen for the manifestation of its fictitious worlds, cinema had to rely on such equipment for its representation of moving photographic images. In so doing, cinema could achieve what theatre could only a ...
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Journal ArticleExcursions · 2010
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In light of the current transition from celluloid to digital cinema, this paper will explore the relation between old and new technologies as a means for understanding medium specificity as an activity of mediation. While the ongoing debate in screen studi ...
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Journal ArticleStudies in French Cinema · June 2008
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Existential phenomenology addresses the idea of vision as an embodied and meaningful activity. Within this schema, perception is already informed by the sensory intentionality of the living being that is setting itself within a dialectical and dialogical r ...
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Journal ArticleRhizomes · 2008
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The direct inscription of reality’s illuminations so fundamental for the creation of celluloid images is missing from the digital, which by forcing a series of conversions into its constructions, makes temporal relations difficult to uphold. Of course, a p ...
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