Markos Hadjioannou

Book · December 2012 Featured Publication Cinema has been undergoing a technological shift in recent years, in which celluloid film is being replaced by digital media in the production, distribution, projection and reception of moving images. While these changes have had a direct impact on the org ... Cite

In Search of Lost Reality: Waltzing with Bashir

Chapter · 2012 Featured Publication Cite

David Lynch: Continuities of an Obsessive Nightmare

Other Images and Views of Alternative Cinema (festival catalgue) · June 2011 Cite

Re-Possessed

Other Cyprus Film Days 2011: 9th International Film Festival (catalgue) · April 2011 Cite

In Between Stage and Screen: The Intermedial in Katie Mitchell’s…some trace of her

Journal Article International Journal of Performance Arts and Digital Media · March 2011 Featured Publication Where theatre was not dependent on a projector and screen for the manifestation of its fictitious worlds, cinema had to rely on such equipment for its representation of moving photographic images. In so doing, cinema could achieve what theatre could only a ... Cite

Waking Life: The Destiny of Cinema’s Dreamscape; or the Question of Old and New Mediations

Journal Article Excursions · 2010 Featured Publication In light of the current transition from celluloid to digital cinema, this paper will explore the relation between old and new technologies as a means for understanding medium specificity as an activity of mediation. While the ongoing debate in screen studi ... Cite

From Light to Byte: The Implications of the Transition from Celluloid to Digital Cinema

Thesis Dissertation · 2009 Cite

How Does the Digital Matter? Envisioning Corporeality through Christian Volckman’s Renaissance

Journal Article Studies in French Cinema · June 2008 Featured Publication Existential phenomenology addresses the idea of vision as an embodied and meaningful activity. Within this schema, perception is already informed by the sensory intentionality of the living being that is setting itself within a dialectical and dialogical r ... Cite

Into Great Stillness, Again and Again: Gilles Deleuze’s Time and the Constructions of Digital Cinema

Journal Article Rhizomes · 2008 Featured Publication The direct inscription of reality’s illuminations so fundamental for the creation of celluloid images is missing from the digital, which by forcing a series of conversions into its constructions, makes temporal relations difficult to uphold. Of course, a p ... Cite

Markos Hadjioannou: A Digital Movie

Other Fileleftheros: P.S. Sunday Art Supplement · April 9, 2006 Cite