Scholars@Duke

• Background
• 

  Education, Training, & Certifications

  • Ph.D., Yale University 1993
  • M.Phil., Yale University 1991
  • B.A., University of Cambridge (UK) 1988
• 

  Duke Appointment History

  • Associate Professor of Music, Music, Trinity College of Arts & Sciences 2006 - 2016
  • Director of Graduate Studies in the Music Department, Music, Trinity College of Arts & Sciences 2009 - 2012
• Recognition
• 

  Awards & Honors

  • Faculty Fellowship. National Endowment for the Humanities. 2013
  • Tonality 1900-1950: Concept and Practice, International Conference. National Endowment for the Humanities collaborative grant. October 2010
  • Duke/UNC Exchange Fellow. Institute for the Arts and Humanities, UNC-Chapel Hill. August 2008
  • Fellow. National Humanities Center. 2005
• Expertise
• 

  Global Scholarship

  • Expertise

    • United Kingdom (Country) 
• Research
• 

  Selected Grants

  • Music MD Biddle 2017 Proposal awarded by Mary Duke Biddle Foundation 2017
  • Tonality 1900-1950: Concept and Practice awarded by National Endowment for the Humanities 2010 - 2011
• Publications & Artistic Works
• 

  Selected Publications

  • Books

    • Tonality Since 1950. Edited by F Woerner, U Scheideler, and P Rupprecht. Stuttgart: Franz Steiner Verlag, 2017. (Edited Book)
    • Rupprecht, P. British musical modernism: The Manchester group and their contemporaries. January 1, 2015.  Full Text
    • Rethinking Britten. Edited by P Rupprecht. Oxford University Press, 2013. (Edited Book)
    • Rethinking Britten. Edited by P Rupprecht. Oxford University Press, 2013. (Edited Book)
    • Tonality 1900-1950: Concept and Practice. Edited by F Woerner, U Scheideler, and P Rupprecht. Stuttgart: Franz Steiner Verlag, 2012. (Edited Book)
    • Tonality 1900-1950: Concept and Practice. Edited by F Woerner, U Scheideler, and P Rupprecht. Stuttgart: Franz Steiner Verlag, 2012. (Edited Book)
    • Rupprecht, P. Britten’s Musical Language. Cambridge University Press, 2001.

  • Book Reviews

    • Rupprecht, P. "Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction." JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY 68, no. 3 (2015): 698-703.  Full Text  Link to Item
    • Rupprecht, P. "Serenade for Strings." NINETEENTH-CENTURY MUSIC REVIEW 10, no. 2 (December 2013): 390-394.  Full Text  Link to Item
    • Rupprecht, P. "British Music and Modernism, 1895-1960." MUSIC & LETTERS 93, no. 1 (February 2012): 103-106.  Full Text  Link to Item
    • Rupprecht, P. "Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960"." Music and Letters 93 (2012): 103-06.
    • Rupprecht, P. "Review: Jonathan Cross, The Stravinsky Legacy." Journal of the American Musicological Society 56 (2003): 498-507.
    • Rupprecht, P. "Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music." Journal of Music Theory 41 (1997): 157-75.
    • Rupprecht, P. "Review: Kyle Gann, The music of Conlon Nancarrow." Institute for Studies in American Music Newsletter 27 (1997): 5-7.
    • Rupprecht, P. "Review: Andrew Mead, An Introduction to the Music of Milton Babbitt." Institute for Studies in American Music Newsletter 25 (1996): 12-14.

  • Book Sections

    • Rupprecht, P. "Scenes from Britten's 'Spring Symphony'." In Literary Britten, edited by K Kennedy. Woodbridge: Boydell, 2018. (Chapter)
    • Rupprecht, P. "Scenes from Britten's 'Spring Symphony'." In Literary Britten, edited by K Kennedy. Woodbridge: Boydell, 2018. (Chapter)
    • Rupprecht, P. "Images in Sound: Movement, Harmony and Colour in the Early Music." In The Music of Simon Holt, edited by D Charlton. Woodbridge, Suffolk: Boydell, June 2017. (Chapter)
    • Rupprecht, P. "Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s." In Tonality Since 1950, edited by F Woerner, U Scheideler, and P Rupprecht, 209--231. Stuttgart: Franz Steiner Verlag, February 2017. (Chapter)
    • Rupprecht, P. "Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s." In Tonality Since 1950, edited by F Woerner, U Scheideler, and P Rupprecht, 209--231. Stuttgart: Franz Steiner Verlag, February 2017. (Chapter)
    • Rupprecht, P, Woerner, F, and Scheideler, U. "Introduction." In Tonality Since 1950, edited by F Woerner, U Scheideler, and P Rupprecht, 9-24. Stuttgart: Franz Steiner Verlag, 2017. (Introduction)
    • Rupprecht, P, Woerner, F, and Scheideler, U. "Introduction." In Tonality Since 1950, edited by F Woerner, U Scheideler, and P Rupprecht, 9-24. Stuttgart: Franz Steiner Verlag, 2017. (Introduction)
    • Rupprecht, P, Woerner, F, and Scheideler, U. "Introduction." In Tonality Since 1950, edited by F Woerner, U Scheideler, and P Rupprecht, 9-24. Stuttgart: Franz Steiner Verlag, 2017. (Introduction)
    • Rupprecht, P. "Quickenings of the Heart: Notes on Rhythm and Tempo in Britten’s Music." In Benjamin Britten Studies: Essays on an Inexplicit Art, edited by V Stroeher and J Vickers, 317-345. Woodbridge, Suffolk: Boydell Press, 2017. (Chapter)
    • Rupprecht, P. "Mechanical Song: Birtwistle’s Rhythmic Imagination." In Birtwistle Studies, edited by D Beard, K Gloag, and N Jones. Cambridge Univ. Press, 2013.
    • Rupprecht, P. "Introduction: Britten’s Music and Its Audiences." In Rethinking Britten, edited by P Rupprecht, xv-xxxi. Oxford University Press, 2013.
    • Rupprecht, P. "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." In Music and Narrative Since 1900, edited by ML Klein and N Reyland, 189-215. Indiana University Press, 2013.
    • Rupprecht, P. "Britten and the Avant-Garde in the 1950s." In Rethinking Britten, edited by P Rupprecht, 131-55. Oxford University Press, 2013.
    • Rupprecht, P. "Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940." In Tonality 1900-1950: Concept and Practice, edited by F Woerner, U Scheideler, and P Rupprecht, 223-245. Stuttgart: Franz Steiner, 2012.
    • Rupprecht, P. "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." In Maxwell Davies Studies, edited by K Gloag and N Jones, 45-78. Cambridge University Press, 2009.
    • Rupprecht, P. "The Chamber Music." In The Cambridge Companion to Benjamin Britten, edited by M Cooke, 245-59. Cambridge University Press, 1999.
    • Lazarus, GS, and Hartzell, MB. "Introduction." . March 1, 1993.

  • Journal Articles

    • Rupprecht, P. ""Something Slightly Indecent": British Composers, the European Avant-garde, and National Stereotypes in the 1950s." MUSICAL QUARTERLY 91, no. 3-4 (2008): 275-326.  Full Text  Link to Item
    • Philip Rupprecht, . "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April 2005): 28-38. (Academic Article)
    • Philip Rupprecht, . "Tonal stratification and Uncertainty in Britten’s music." Journal of Music Theory 40, no. 2 (October 1996): 311-346. (Academic Article)

  • Other Articles

    • Rupprecht, P. "Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991." Music Analysis 11 (1992): 129-33.
• Teaching & Mentoring
• 

  Recent Courses

  • AAAS 190S: Special Topics 2018
  • MUSIC 190S: Special Topics in Music 2018
  • MUSIC 393: Research Independent Study 2018
  • MUSIC 501: Introduction to Musicology 2018
  • MUSIC 791: Independent Study 2018
  • MUSIC 361: Theory and Practice of Tonal Music II 2017
  • MUSIC 590: Selected Topics in Analysis 2016
• 

  Advising & Mentoring

  • Philip Rupprecht is actively advising Ph.D's in musicology and music analysis on a range of twentieth-century art musics.

  Available to mentor:

  • PhD
• Scholarly, Clinical, & Service Activities
• 

  Presentations & Appearances

  • A Public Conversation with Jeremy Denk (on Ives's Concord Sonata). Duke Performances. December 9, 2016  2016
  • Interview: Philip Rupprecht discusses his new book, British Musical Modernism. "Preview". WCPE.FM (public radio). December 2015  2015
  • Keynote Speaker, Benjamin Britten on Stage and Screen. December 30, 2013  2013
  • Keynote Speaker, MTSE (Music Theory Southeast). December 30, 2013  2013
  • Symposium: Benjamin Britten: Spheres of Influence. December 30, 2013  2013
  • Pre-Concert Lecture, Britten "Spring Symphony". December 24, 2012  2012
  • The Style of the New: British Music Between Avant-Garde and Pop. November 7, 2012  2012
  • “The baroqueness of the blues’ black notes”: remarks on Fred Moten’s B Jenkins.” Duke University Music Department colloquium, April 2010.. December 11, 2010  2010
  • Sad Pavens: Maxwell Davies and the British national past.” Duke Performances, public lecture with Ciompi Quartet, January 2010,. December 4, 2009  2009
• 

  Service to the Profession

  • Member : Society for Music Theory, National Program Committee. December 24, 2012  2012
  • Program Committee Member : Music Theory Southeast. January 2012  2012
  • Board Member, North American British Music Studies Association. December 11, 2010  2010
  • MTSMA Program Committee. December 2009  2009
  • Member, consulting panel : College Board AP Test in Music Theory. August 19, 2008  2008

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