Philip Rupprecht
Professor of Music
Philip Rupprecht specializes in music of the twentieth and twenty-first centuries. His recent writings address the institutional politics of musical taste, concepts of narrative in operatic drama, the role of the stereotype in the formation of national traditions in music, and agency effects in instrumental music. His research at the BBC Written Archives has led recently to a study of the production of middlebrow taste in Britain in the 1950s. His book, British Musical Modernism, was published by Cambridge in 2015. Most recently, he has published essays on contemporary composers Thomas Adès, Simon Holt, and James Dillon.
Rupprecht is co-editor (with David Beard) of the book series Music Since 1900 (Cambridge UP).
Radio interview: Philip Rupprecht discusses his book British Musical Modernism
Office Hours
Current Appointments & Affiliations
- Professor of Music, Music, Trinity College of Arts & Sciences 2016
Contact Information
- 105 Biddle Music Building, Box 90665 Duke University, Durham, NC 27708-0665
- Box 90665, Durham, NC 27708-0665
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philip.rupprecht@duke.edu
(919) 660-3300
- Background
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Education, Training, & Certifications
- Ph.D., Yale University 1993
- M.Phil., Yale University 1991
- B.A., University of Cambridge (United Kingdom) 1988
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Previous Appointments & Affiliations
- Chair in the Department of Music, Music, Trinity College of Arts & Sciences 2015 - 2019
- Associate Professor of Music, Music, Trinity College of Arts & Sciences 2006 - 2016
- Director of Graduate Studies in the Music Department, Music, Trinity College of Arts & Sciences 2009 - 2012
- Recognition
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In the News
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JUN 15, 2021
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Awards & Honors
- Faculty Fellowship. National Endowment for the Humanities. 2013
- Tonality 1900-1950: Concept and Practice, International Conference. National Endowment for the Humanities collaborative grant. October 2010
- Duke/UNC Exchange Fellow. Institute for the Arts and Humanities, UNC-Chapel Hill. August 2008
- Fellow. National Humanities Center. 2005
- Expertise
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Global Scholarship
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Expertise
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- Research
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Selected Grants
- Music MD Biddle 2017 Proposal awarded by Mary Duke Biddle Foundation 2017
- Tonality 1900-1950: Concept and Practice awarded by National Endowment for the Humanities 2010 - 2011
- Publications & Artistic Works
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Selected Publications
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Books
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Woerner, F., U. Scheideler, and P. Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, 2017.
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Woerner, F., U. Scheideler, and P. Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, 2017.
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Rupprecht, P. British Musical Modernism: The Manchester Group and their Contemporaries. Cambridge, UK: Cambridge University Press, 2015.
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Rupprecht, P., ed. Rethinking Britten. Oxford University Press, 2013.
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Rupprecht, P., ed. Rethinking Britten. Oxford University Press, 2013.
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Woerner, F., U. Scheideler, and P. Rupprecht, eds. Tonality 1900-1950: Concept and Practice. Stuttgart: Franz Steiner Verlag, 2012.
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Woerner, F., U. Scheideler, and P. Rupprecht, eds. Tonality 1900-1950: Concept and Practice. Stuttgart: Franz Steiner Verlag, 2012.
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Rupprecht, P. Britten’s Musical Language. Cambridge University Press, 2001.
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Academic Articles
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Rupprecht, P. “Pieces of Tradition: An Analysis of Contemporary Tonal Music.” Journal of Music Theory 66, no. 2 (January 1, 2022): 291–302. https://doi.org/10.1215/00222909-9930962.Full Text Open Access Copy
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Rupprecht, P. “Voicing ideology: Modernism and the middlebrow in Britten's operas.” Music and Letters 101, no. 2 (May 1, 2020): 343–66. https://doi.org/10.1093/ml/gcaa028.Full Text
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Rupprecht, Philip. “Rhythmic Dignity: Motive, Signal, and Flux in the Music of James Dillon.” Musiktheorie 34, no. 4 (2019): 347–76.Link to Item
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Rupprecht, P. “Mechanical song: Birtwistle’s rhythmic imagination,” January 1, 2015, 26–62. https://doi.org/10.1017/CBO9781316145326.004.Full Text
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Klein, Michael L., and Nicholas Reyland, eds. “Agency Effects in the Instrumental Drama of Musgrave and Birtwistle,” 2013, 189–215.
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Rupprecht, Philip, ed. “Introduction: Britten’s Music and Its Audiences,” 2013, xv–xxxi.
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Rupprecht, Philip, ed. “Britten and the Avant-Garde in the 1950s,” 2013, 131–55.
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Woerner, Felix, Ullrich Scheideler, and Philip Rupprecht, eds. “Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940,” 2012, 223–45.
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Rupprecht, P. “"Something slightly indecent": British composers, the European avant-garde, and national stereotypes in the 1950s.” Musical Quarterly 91, no. 3–4 (March 1, 2009): 275–326. https://doi.org/10.1093/musqtl/gdp003.Full Text
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Gloag, Kenneth, and Nicholas Jones, eds. “Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia,” 2009, 45–78.
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Philip Rupprecht, P. “Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola.” Tempo: A Quarterly Review of Modern Music 59 (April 2005): 28–38.
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Cooke, Mervyn, ed. “The Chamber Music,” 1999, 245–59.
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Philip Rupprecht, P. “Tonal stratification and Uncertainty in Britten’s music.” Journal of Music Theory 40, no. 2 (October 1996): 311–46.
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Book Sections
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Rupprecht, Philip. “Scenes from Britten's 'Spring Symphony'.” In Literary Britten, edited by Kate Kennedy. Woodbridge: Boydell, 2018.
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Rupprecht, Philip. “Scenes from Britten's 'Spring Symphony'.” In Literary Britten, edited by Kate Kennedy. Woodbridge: Boydell, 2018.
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Rupprecht, P. “Images in Sound: Movement, Harmony and Colour in the Early Music.” In The Music of Simon Holt, edited by D. Charlton. Woodbridge, Suffolk: Boydell, 2017.
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Rupprecht, P. “Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s.” In Tonality Since 1950, edited by F. Woerner, U. Scheideler, and P. Rupprecht, 209--231. Stuttgart: Franz Steiner Verlag, 2017.
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Rupprecht, P. “Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s.” In Tonality Since 1950, edited by F. Woerner, U. Scheideler, and P. Rupprecht, 209--231. Stuttgart: Franz Steiner Verlag, 2017.
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Rupprecht, P. “Quickenings of the Heart: Notes on Rhythm and Tempo in Britten’s Music.” In Benjamin Britten Studies: Essays on an Inexplicit Art, edited by V. Stroeher and J. Vickers, 317–45. Woodbridge, Suffolk: Boydell Press, 2017.
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Rupprecht, P. “Mechanical Song: Birtwistle’s Rhythmic Imagination.” In Birtwistle Studies, edited by David Beard, Kenneth Gloag, and Nicholas Jones. Cambridge Univ. Press, 2013.
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Rupprecht, P. “Introduction: Britten’s Music and Its Audiences.” In Rethinking Britten, edited by Philip Rupprecht, xv–xxxi. Oxford University Press, 2013.
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Rupprecht, P. “Agency Effects in the Instrumental Drama of Musgrave and Birtwistle.” In Music and Narrative Since 1900, edited by Michael L. Klein and Nicholas Reyland, 189–215. Indiana University Press, 2013.
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Rupprecht, P. “Britten and the Avant-Garde in the 1950s.” In Rethinking Britten, edited by Philip Rupprecht, 131–55. Oxford University Press, 2013.
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Rupprecht, P. “Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940.” In Tonality 1900-1950: Concept and Practice, edited by Felix Woerner, Ullrich Scheideler, and Philip Rupprecht, 223–45. Stuttgart: Franz Steiner, 2012.
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Rupprecht, P. “Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia.” In Maxwell Davies Studies, edited by Kenneth Gloag and Nicholas Jones, 45–78. Cambridge University Press, 2009.
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Rupprecht, P. “The Chamber Music.” In The Cambridge Companion to Benjamin Britten, edited by Mervyn Cooke, 245–59. Cambridge University Press, 1999.
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Other Articles
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“The Vorticists: Musical Allies,” 2010.
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Rupprecht, P. “Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991.” Music Analysis, 1992.
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Book Reviews
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Rupprecht, Philip. “Review: Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction, by Heather Wiebe.” Journal of the American Musicological Society. University of California Press, December 1, 2015. https://doi.org/10.1525/jams.2015.68.3.698.Full Text
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Rupprecht, Philip. “Edward Elgar, Serenade for Strings, op. 20, Score, edited by Christopher Hogwood (Kassel: Bärenreiter-Verlag, 2010), BA 9041, viii, 18 pp., with critical commentary and facsimile.” Nineteenth Century Music Review. Cambridge University Press (CUP), December 2013. https://doi.org/10.1017/s1479409813000463.Full Text
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Rupprecht, P. “British Music and Modernism, 1895-1960. Ed. by Matthew Riley.” Music and Letters. Oxford University Press (OUP), February 1, 2012. https://doi.org/10.1093/ml/gcr101.Full Text
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Rupprecht, P. “Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960".” Music and Letters, 2012.
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Rupprecht, P. “Review: Jonathan Cross, The Stravinsky Legacy.” Journal of the American Musicological Society, 2003.
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Rupprecht, P. “Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music.” Journal of Music Theory, 1997.
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Rupprecht, P. “Review: Kyle Gann, The music of Conlon Nancarrow.” Institute for Studies in American Music Newsletter, 1997.
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Rupprecht, P. “Review: Andrew Mead, An Introduction to the Music of Milton Babbitt.” Institute for Studies in American Music Newsletter, 1996.
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- Teaching & Mentoring
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Recent Courses
- AAAS 258: Studio Pop: Histories & Sounds, 1960s to 80s 2023
- MUSIC 241: Studio Pop: Histories & Sounds, 1960s to 80s 2023
- MUSIC 258: Music History IV: Post-WWI through the Present 2023
- MUSIC 261: Theory and Practice of Tonal Music I 2023
- MUSIC 791: Independent Study 2023
- MUSIC 258: Music History IV: Post-WWI through the Present 2022
- MUSIC 393: Research Independent Study 2022
- MUSIC 461: Theory and Practice of Tonal Music III 2022
- MUSIC 501: Introduction to Musicology 2022
- MUSIC 556: Music in the Twentieth Century 2022
- MUSIC 791: Independent Study 2022
- MUSIC 258: Music History IV: Post-WWI through the Present 2021
- MUSIC 261: Theory and Practice of Tonal Music I 2021
- MUSIC 290S: Special Topics in Music 2021
- MUSIC 361: Theory and Practice of Tonal Music II 2021
- MUSIC 393: Research Independent Study 2021
- MUSIC 791: Independent Study 2021
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Advising & Mentoring
- Philip Rupprecht is actively advising Ph.D's in musicology and music analysis on a range of twentieth-century art musics.
Available to mentor:
- PhD
- Scholarly, Clinical, & Service Activities
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Presentations & Appearances
- A Public Conversation with Jeremy Denk (on Ives's Concord Sonata). Duke Performances. December 9, 2016 2016
- Interview: Philip Rupprecht discusses his new book, British Musical Modernism. "Preview". WCPE.FM (public radio). December 2015 2015
- Keynote Speaker, Benjamin Britten on Stage and Screen. December 30, 2013 2013
- Keynote Speaker, MTSE (Music Theory Southeast). December 30, 2013 2013
- Symposium: Benjamin Britten: Spheres of Influence. December 30, 2013 2013
- Pre-Concert Lecture, Britten "Spring Symphony". December 24, 2012 2012
- The Style of the New: British Music Between Avant-Garde and Pop. November 7, 2012 2012
- “The baroqueness of the blues’ black notes”: remarks on Fred Moten’s B Jenkins.” Duke University Music Department colloquium, April 2010.. December 11, 2010 2010
- Sad Pavens: Maxwell Davies and the British national past.” Duke Performances, public lecture with Ciompi Quartet, January 2010,. December 4, 2009 2009
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Service to the Profession
- Member : Society for Music Theory, National Program Committee. December 24, 2012 2012
- Program Committee Member : Music Theory Southeast. January 2012 2012
- Board Member, North American British Music Studies Association. December 11, 2010 2010
- MTSMA Program Committee. December 2009 2009
- Member, consulting panel : College Board AP Test in Music Theory. August 19, 2008 2008
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