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Scott A. Lindroth

Professor of Music
Music
Box 90665, Durham, NC 27708-0665
Duke University Department of Music, Box 90665, Durham, NC 27708-0665

Overview


I am a composer of instrumental and vocal music.  My most recent works are T120, a piano trio composed for the Horszowski Trio (2021) and a Quintet for Soprano Saxophone and String Quartet (2019).  My current project is a quartet for flute and three strings, commissioned by the Electric Earth Concert Series. 

My teaching centers on technical aspects of music, including classes on music theory, composition, and transcription.  I also co-teach a course called "Music and the Brain" with Tobias Overath, a colleague in Psychology and Neuroscience.  This class explores the physiology and psychology of hearing and music cognition, a study that has enabled me to reconsider ideas I know well from an entirely different perspective, with the result that "old" ideas have become "new" again.   More marginal interests include some aspects of music technology: live sampling and signal processing, sonification, and computer-assisted composition.  

Aside from these professional interests, I enjoy working with machine tools as well as motorcycling on back roads in North Carolina.  

Current Appointments & Affiliations


Professor of Music · 2008 - Present Music, Trinity College of Arts & Sciences
Bass Fellow · 2007 - Present Music, Trinity College of Arts & Sciences

In the News


Published March 19, 2023
Learning New Subjects During Spring Breakthrough 2023
Published October 6, 2021
The Exhilaration of High Speed, Captured in Music
Published May 21, 2020
Duke's Chief Arts Advocate Looks Back at 13 Years of Progress

View All News

Recent Publications


Teaching Composition: Artistic Growth Through Confrontation, Tact, Sympathy, and Honest

Journal Article Contemporary Music Review · 2012 Teaching composition requires different strategies depending on each student's interests and experience. Reflecting on my own experiences as a composition student, I have found two teaching approaches to be especially helpful. Undergraduates frequently req ... Link to item Cite

Dynamic nonparametric bayesian models for analysis of music

Journal Article Journal of the American Statistical Association · June 1, 2010 The dynamic hierarchical Dirichlet process (dHDP) is developed to model complex sequential data, with a focus on audio signals from music. The music is represented in terms of a sequence of discrete observations, and the sequence is modeled using a hidden ... Full text Open Access Cite
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Recent Grants


MDBF Arts Incubator

Institutional SupportPrincipal Investigator · Awarded by Mary Duke Biddle Foundation · 2018 - 2023

Visiting Artist Residency

Institutional SupportPrincipal Investigator · Awarded by Winifred Johnson Clive Foundation · 2016 - 2017

Visting Artists

Institutional SupportPrincipal Investigator · Awarded by Winifred Johnson Clive Foundation · 2014 - 2015

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Recent Artistic Works


T120

Musical Composition May 1, 2021

Quintet for Soprano Saxophone and String Quartet

Musical Composition January 1, 2019

Piano Roll Prosody

Musical Composition January 1, 2017

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Education, Training & Certifications


Yale University · 1991 D.M.A.
Yale University · 1989 M.A.
Eastman School of Music · 1980 B.M.