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Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca

"Gerade das Lied wie es dasteht: On Text and Meaning in Mendelssohn’s Lieder ohne Worte"

Publication ,  Chapter
Todd, RL
1992

Duke Scholars

Publication Date

1992

Start / End Page

355 / 79

Publisher

Stuyvesant: Pendragon Press
 

Citation

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Todd, R. L. (1992). "Gerade das Lied wie es dasteht: On Text and Meaning in Mendelssohn’s Lieder ohne Worte". In N. K. Baker (Ed.), Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca (pp. 355–379). Stuyvesant: Pendragon Press.
Todd, R. L. “"Gerade das Lied wie es dasteht: On Text and Meaning in Mendelssohn’s Lieder ohne Worte".” In Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca, edited by Nancy K. Baker, 355–79. Stuyvesant: Pendragon Press, 1992.
Todd RL. "Gerade das Lied wie es dasteht: On Text and Meaning in Mendelssohn’s Lieder ohne Worte". In: Baker NK, editor. Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca. Stuyvesant: Pendragon Press; 1992. p. 355–79.
Todd, R. L. “"Gerade das Lied wie es dasteht: On Text and Meaning in Mendelssohn’s Lieder ohne Worte".” Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca, edited by Nancy K. Baker, Stuyvesant: Pendragon Press, 1992, pp. 355–79.
Todd RL. "Gerade das Lied wie es dasteht: On Text and Meaning in Mendelssohn’s Lieder ohne Worte". In: Baker NK, editor. Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca. Stuyvesant: Pendragon Press; 1992. p. 355–79.

Publication Date

1992

Start / End Page

355 / 79

Publisher

Stuyvesant: Pendragon Press