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Back to Black: Art, Cinema and the Racial Imaginary

"Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque"

Publication ,  Chapter
Powell, RJ
2005

Duke Scholars

Publication Date

2005

Start / End Page

9 / 27

Publisher

Whitechapel Art Gallery
 

Citation

APA
Chicago
ICMJE
MLA
NLM
Powell, R. J. (2005). "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque". In Back to Black: Art, Cinema and the Racial Imaginary (pp. 9–27). Whitechapel Art Gallery.
Powell, Richard J. “"Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque".” In Back to Black: Art, Cinema and the Racial Imaginary, 9–27. Whitechapel Art Gallery, 2005.
Powell RJ. "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque". In: Back to Black: Art, Cinema and the Racial Imaginary. Whitechapel Art Gallery; 2005. p. 9–27.
Powell, Richard J. “"Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque".” Back to Black: Art, Cinema and the Racial Imaginary, Whitechapel Art Gallery, 2005, pp. 9–27.
Powell RJ. "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque". Back to Black: Art, Cinema and the Racial Imaginary. Whitechapel Art Gallery; 2005. p. 9–27.

Publication Date

2005

Start / End Page

9 / 27

Publisher

Whitechapel Art Gallery