Back to Black: Art, Cinema and the Racial Imaginary
"Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque"
Publication
, Chapter
Powell, RJ
2005
Duke Scholars
Publication Date
2005
Start / End Page
9 / 27
Publisher
Whitechapel Art Gallery
Citation
APA
Chicago
ICMJE
MLA
NLM
Powell, R. J. (2005). "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque". In Back to Black: Art, Cinema and the Racial Imaginary (pp. 9–27). Whitechapel Art Gallery.
Powell, Richard J. “"Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque".” In Back to Black: Art, Cinema and the Racial Imaginary, 9–27. Whitechapel Art Gallery, 2005.
Powell RJ. "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque". In: Back to Black: Art, Cinema and the Racial Imaginary. Whitechapel Art Gallery; 2005. p. 9–27.
Powell, Richard J. “"Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque".” Back to Black: Art, Cinema and the Racial Imaginary, Whitechapel Art Gallery, 2005, pp. 9–27.
Powell RJ. "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque". Back to Black: Art, Cinema and the Racial Imaginary. Whitechapel Art Gallery; 2005. p. 9–27.
Publication Date
2005
Start / End Page
9 / 27
Publisher
Whitechapel Art Gallery