Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki
Publication
, Other
Weisenfeld, GS
Published in: Journal of Japanese Studies
2014
Duke Scholars
Published In
Journal of Japanese Studies
ISSN
1549-4721
Publication Date
2014
Volume
40
Issue
1
Start / End Page
187 / 190
Related Subject Headings
- Cultural Studies
- 2103 Historical Studies
- 1699 Other Studies in Human Society
Citation
APA
Chicago
ICMJE
MLA
NLM
Weisenfeld, G. S. (2014). Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki. Journal of Japanese Studies.
Weisenfeld, G. S. “Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki.” Journal of Japanese Studies, 2014.
Weisenfeld GS. Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki. Journal of Japanese Studies. 2014;40(1):187–90.
Weisenfeld, G. S. “Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki.” Journal of Japanese Studies, vol. 40, no. 1, 2014, pp. 187–90.
Weisenfeld GS. Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki. Journal of Japanese Studies. 2014. p. 187–190.
Published In
Journal of Japanese Studies
ISSN
1549-4721
Publication Date
2014
Volume
40
Issue
1
Start / End Page
187 / 190
Related Subject Headings
- Cultural Studies
- 2103 Historical Studies
- 1699 Other Studies in Human Society