"George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City."
Publication
, Journal Article
D'Alessandro, MF
Published in: The Journal of Nineteenth-Century Americanists
2017
Duke Scholars
Published In
The Journal of Nineteenth-Century Americanists
Publication Date
2017
Volume
5
Issue
2
Citation
APA
Chicago
ICMJE
MLA
NLM
D’Alessandro, M. F. (2017). "George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City.". The Journal of Nineteenth-Century Americanists, 5(2).
D’Alessandro, M. F. “"George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City.".” The Journal of Nineteenth-Century Americanists 5, no. 2 (2017).
D’Alessandro MF. "George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City.". The Journal of Nineteenth-Century Americanists. 2017;5(2).
D’Alessandro, M. F. “"George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City.".” The Journal of Nineteenth-Century Americanists, vol. 5, no. 2, 2017.
D’Alessandro MF. "George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City.". The Journal of Nineteenth-Century Americanists. 2017;5(2).
Published In
The Journal of Nineteenth-Century Americanists
Publication Date
2017
Volume
5
Issue
2