Visualizing Venice: Mapping and Modeling Time and Change in a City
Interactive Exhibitions
Publication
, Chapter
Olson, M
2017
Curated exhibitions have long been the primary means by which the work of historians of urban and material culture has interfaced with the public. They are sites of translation, where the relatively specialized knowledge of experts meets an engaged public, sites where scholarship becomes communication.
Duke Scholars
DOI
ISBN
978-1138285996
Publication Date
2017
Start / End Page
92 / 99
Publisher
Routledge
Citation
APA
Chicago
ICMJE
MLA
NLM
Olson, M. (2017). Interactive Exhibitions. In K. L. Huffman, A. Giordano, & C. Bruzelius (Eds.), Visualizing Venice: Mapping and Modeling Time and Change in a City (pp. 92–99). London & New Ork: Routledge. https://doi.org/10.4324/9781315100685
Olson, Mark. “Interactive Exhibitions.” In Visualizing Venice: Mapping and Modeling Time and Change in a City, edited by Kristin L. Huffman, Andrea Giordano, and Caroline Bruzelius, 92–99. London & New Ork: Routledge, 2017. https://doi.org/10.4324/9781315100685.
Olson M. Interactive Exhibitions. In: Huffman KL, Giordano A, Bruzelius C, editors. Visualizing Venice: Mapping and Modeling Time and Change in a City. London & New Ork: Routledge; 2017. p. 92–9.
Olson, Mark. “Interactive Exhibitions.” Visualizing Venice: Mapping and Modeling Time and Change in a City, edited by Kristin L. Huffman et al., Routledge, 2017, pp. 92–99. Manual, doi:10.4324/9781315100685.
Olson M. Interactive Exhibitions. In: Huffman KL, Giordano A, Bruzelius C, editors. Visualizing Venice: Mapping and Modeling Time and Change in a City. London & New Ork: Routledge; 2017. p. 92–99.
DOI
ISBN
978-1138285996
Publication Date
2017
Start / End Page
92 / 99
Publisher
Routledge