Beyoncé's soft power: Poetics and politics of an afro-diasporic aesthetics
Publication
, Journal Article
McLarney, E
Published in: Camera Obscura
September 1, 2019
Duke Scholars
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Published In
Camera Obscura
DOI
EISSN
1529-1510
ISSN
0270-5346
Publication Date
September 1, 2019
Volume
34
Issue
2
Start / End Page
1 / 39
Related Subject Headings
- Communication & Media Studies
- 4702 Cultural studies
- 4405 Gender studies
- 3605 Screen and digital media
- 2002 Cultural Studies
- 1905 Visual Arts and Crafts
- 1902 Film, Television and Digital Media
Citation
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Chicago
ICMJE
MLA
NLM
McLarney, E. (2019). Beyoncé's soft power: Poetics and politics of an afro-diasporic aesthetics. Camera Obscura, 34(2), 1–39. https://doi.org/10.1215/02705346-7584892
McLarney, E. “Beyoncé's soft power: Poetics and politics of an afro-diasporic aesthetics.” Camera Obscura 34, no. 2 (September 1, 2019): 1–39. https://doi.org/10.1215/02705346-7584892.
McLarney E. Beyoncé's soft power: Poetics and politics of an afro-diasporic aesthetics. Camera Obscura. 2019 Sep 1;34(2):1–39.
McLarney, E. “Beyoncé's soft power: Poetics and politics of an afro-diasporic aesthetics.” Camera Obscura, vol. 34, no. 2, Sept. 2019, pp. 1–39. Scopus, doi:10.1215/02705346-7584892.
McLarney E. Beyoncé's soft power: Poetics and politics of an afro-diasporic aesthetics. Camera Obscura. 2019 Sep 1;34(2):1–39.
Published In
Camera Obscura
DOI
EISSN
1529-1510
ISSN
0270-5346
Publication Date
September 1, 2019
Volume
34
Issue
2
Start / End Page
1 / 39
Related Subject Headings
- Communication & Media Studies
- 4702 Cultural studies
- 4405 Gender studies
- 3605 Screen and digital media
- 2002 Cultural Studies
- 1905 Visual Arts and Crafts
- 1902 Film, Television and Digital Media