Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia
Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of Postcolonial Japonisme
Publication
, Chapter
Kwon, NA
February 2022
The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery.
Duke Scholars
ISBN
9780253059765
Publication Date
February 2022
Publisher
Indiana University Press
Citation
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Chicago
ICMJE
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Kwon, N. A. (2022). Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of
Postcolonial Japonisme. In Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia. Indiana University Press.
Kwon, Nayoung Aimee. “Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of
Postcolonial Japonisme.” In Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia. Indiana University Press, 2022.
Kwon NA. Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of
Postcolonial Japonisme. In: Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia. Indiana University Press; 2022.
Kwon, Nayoung Aimee. “Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of
Postcolonial Japonisme.” Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia, Indiana University Press, 2022.
Kwon NA. Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of
Postcolonial Japonisme. Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia. Indiana University Press; 2022.
ISBN
9780253059765
Publication Date
February 2022
Publisher
Indiana University Press