Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950)
Publication
, Journal Article
Brothers, T
Published in: Black Music Research Journal
1997
Duke Scholars
Published In
Black Music Research Journal
DOI
ISSN
0276-3605
Publication Date
1997
Volume
17
Issue
2
Start / End Page
169 / 169
Publisher
JSTOR
Related Subject Headings
- 3603 Music
- 1904 Performing Arts and Creative Writing
Citation
APA
Chicago
ICMJE
MLA
NLM
Brothers, T. (1997). Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950). Black Music Research Journal, 17(2), 169–169. https://doi.org/10.2307/779368
Brothers, Thomas. “Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950).” Black Music Research Journal 17, no. 2 (1997): 169–169. https://doi.org/10.2307/779368.
Brothers T. Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950). Black Music Research Journal. 1997;17(2):169–169.
Brothers, Thomas. “Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950).” Black Music Research Journal, vol. 17, no. 2, JSTOR, 1997, pp. 169–169. Crossref, doi:10.2307/779368.
Brothers T. Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950). Black Music Research Journal. JSTOR; 1997;17(2):169–169.
Published In
Black Music Research Journal
DOI
ISSN
0276-3605
Publication Date
1997
Volume
17
Issue
2
Start / End Page
169 / 169
Publisher
JSTOR
Related Subject Headings
- 3603 Music
- 1904 Performing Arts and Creative Writing