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Roseen Giles

Mrs. Alexander Hehmeyer Associate Professor of Music
Music
Box 90665, Durham, NC 27708
060 Biddle Music Building, Durham, NC 27708

Selected Publications


Lettera amorosa Musical Love-Letters in Early Modern Italy

Book · February 28, 2025 Musical settings of love letters rekindled a complex kind of vocality which was rooted in the letters of antiquity and endured in the musical sub-genre of the lettera amorosa. ... Cite

Lettera amorosa

Book · 2025 Cite

Monteverdi and the Marvellous: Poetry, Sound, and Representation

Book · January 1, 2023 The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643 ... Full text Cite

Giambattista Marino’s L’Adone: A Drama of Madrigals

Journal Article Italianist · January 1, 2020 Giambattista Marino’s L’Adone (1623) is the longest poem written in the Italian language. Exceeding even Torquato Tasso’s Gerusalemme liberata (1581) in length, L’Adone lacks the most central characteristic of epic poetry: a coherent narrative. As the quin ... Full text Cite

Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music

Journal Article Renaissance and Reformation · June 21, 2018 Full text Cite

'A Natural Voice?'

Journal Article Cambridge Opera Journal · 2018 Link to item Cite

Physicality and Devotion in Heinrich Ignaz Franz Biber’s Rosary Sonatas

Journal Article Yale Journal of Music and Religion · 2018 Link to item Cite

Monteverdi, Marino and the aesthetic of meraviglia

Journal Article Early Music · December 11, 2017 Full text Cite

Melismas in the Office for Thomas Becket of Canterbury

Chapter · 2010 FOREWORD t is a great pleasure to see in print this volume of essays which commemorates the Conference oTraditions in Western Plainchant" hosted by the Gregorian Institute of Canada (GIC) at McMaster University in August 2009. ... Cite