Scholars@Duke

• Background
• 

  Education, Training, & Certifications

  • Ph.D., Harvard University 1984
  • M.A., Harvard University 1978
  • B.A., University of Cincinnati 1975
• 

  Duke Appointment History

  • Acting Chair, Department of Music, Music, Trinity College of Arts & Sciences 2008
  • Acting Chair, Department of Music, Music, Trinity College of Arts & Sciences 2003
  • Acting Chair, Department of Music, Music, Trinity College of Arts & Sciences 2000
  • Associate Professor with Tenure, Music, Trinity College of Arts & Sciences 1993 - 1999
  • Assistant Professor, Music, Trinity College of Arts & Sciences 1986 - 1993
• Recognition
• 

  In the News

  • MAY 26, 2015

    Music's Bryan Gilliam's book nominated for Kurt Weill Prize

  • APR 10, 2014

    The New York Times

    Bryan Gilliam comments: Richard Strauss and Dresden, a bond unbroken
• 

  Awards & Honors

  • Dean's letter for teaching excellence. Unknown. January 2013
  • ACLS Fellows (ACLS/SSRC/NEH International and Area Studies Fellowships and ACLS/New York Public Library Fellowships). American Council of Learned Societies. 2006
  • Alexander Lecture Award. Stanford University . January 2006
• Expertise
• 

  Subject Headings

  • Books
• 

  Global Scholarship

  • Expertise

    • Austria (Country) 
    • Germany, Federal Republic of (Country) 
    • United States of America (Country) 
• Research
• 

  Selected Grants

  • (90-0398) International Conference on Richard Strauss awarded by Josiah Charles Trent Memorial Foundation 1989 - 1990
  • (89-0475) International Conference on Richard Strauss awarded by National Endowment for the Humanities 1989
• Publications & Artistic Works
• 

  Selected Publications

  • Books

    • Gilliam, B. Rounding Wagner's mountain: Richard Strauss and modern German opera, 2014. https://doi.org/10.1017/CBO9780511979699.
       Full Text
    • al, B Gilliam et. Music, Image, Gesture. Edited by B. Gilliam. Vol. 104. Duke University Press, 2005.
    • Gilliam, B. The Life of Richard Strauss, Cambridge Musical Lives. Cambridge University Press, 1999.
    • al, B Gilliam et. Music and Performance during the Weimar Republic. Edited by B. Gilliam. Cambridge University Press, 1994.
    • Gilliam, B. Richard Strauss: New Perspectives on the Composer and His Work. Edited by B. Gilliam. Duke University Press, 1992.
    • al, B Gilliam et. Richard Strauss and His World. Edited by B. Gilliam. Princeton University Press, 1992.
    • Gilliam, B. Richard Strauss’s Elektra. Oxford University Press, 1991.
    • Gilliam, B. Richard Strauss’s ’Daphne’: Opera and Symphonic Continuity. Harvard Ph.D. Dissertation, 1984.

  • Academic Articles

    • Gilliam, Bryan. “Zoë Alexis Lang. The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity. Cambridge: Cambridge University Press, 2014. Pp. 248..” Austrian History Yearbook 46 (April 2015): 434–36. https://doi.org/10.1017/s0067237814000551.
       Full Text
    • Gilliam, Bryan. “A House Divided.” Opera News 74, no. 11 (May 2010): 16–21.
       Link to Item
    • Gilliam, B. “" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos and the Rejection of Greek Tragedy,” 2006.
    • Gilliam, B. “"Don Quixote and the Cinematic Strauss",” June 2005.
    • Gilliam, B. “" 'Friede im Innern': Strauss's Inner and Outer Worlds in the mid-1930s".” Jams, 2005, 563–95.
    • Gilliam, B. “Introduction.” South Atlantic Quarterly 104, no. 1 (January 1, 2005): 1–5. https://doi.org/10.1215/00382876-104-1-1.
       Full Text
    • Gilliam, B. “Visual voice (Strauss's 'Salome').” Opera News 68, no. 9 (March 2004): 23-+.
       Link to Item
    • Gilliam, B. “"Between Resignation and Hope: The Late Strauss",” May 2002.
    • Gilliam, B. “"Strauss’s ’Crazy Jewish Girl’: Salome and fin-de-siècle Modernism",” January 2002.
    • Gilliam, B. “Shadowland (The complex and symbolic world of Strauss's most challenging work, Die 'Frau ohne Schatten').” Opera News 66, no. 7 (January 2002): 14–17.
       Link to Item
    • Mingo, B., and B. Gilliam. “The endangered list (Nominees for the most unjustly neglected opera).” Opera News 66, no. 5 (November 2001): 50-+.
       Link to Item
    • Gilliam, B. “Utopia und Katastrophe: Richard Strauss während des dritten Reiches,” November 2000.
    • Gilliam, B. “Politics and the Spirit: Richard Strauss and the 1930s,” October 2000.
    • Gilliam, B. “Sound, Image, Music: Hollywood Film Music,” May 2000.
    • Gilliam, B. “From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater,” February 2000.
    • Gilliam, B. “’Friede im Innern’: Strauss’s Inner and Outer Worlds in the 1930s,” October 1999.
    • Gilliam, B. “Modern times - Richard Strauss' later operas reflect the disunity of contemporary life.” Opera News 64, no. 2 (August 1999): 26–31.
       Link to Item
    • Gilliam, B. “’Friede im Innern’: Die innere und äußere Persönlichkeit des Richard Strauss um die Mitte der dreißiger Jahre,” July 1999.
    • Gilliam, B. “Elektras Tanz und Auflösung,” April 1999.
    • Gilliam, B. “Variations on an Enigma: Richard Strauss Fifty Years after his Death,” January 1999.
    • Gilliam, Bryan. “Strauss' "Friedenstag" und die Politik: Antwort an Gerhard Splitt.” Archiv Für Musikwissenschaft 56, no. 4 (1999): 347–347. https://doi.org/10.2307/931057.
       Full Text
    • Gilliam, B. “Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils,” June 1998.
    • Gilliam, B. “Kurt Weill, Weimar Theater, and Operatic Reform,” April 1998.
    • Gilliam, B. “Tragedy and Epic in Siegfried’s Funeral Music,” March 1998.
    • Gilliam, B. “Sibelius and Modernism,” December 1997.
    • Gilliam, B. “Five colloquia on the theme: ’Music, Image, Gesture’,” May 1996.
    • Gilliam, B. “Bruckner’s 8th Symphony,” April 1996.
    • Gilliam, B. “A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America,” 1996.
    • Gilliam, B. “Bruckner's Annexation Revisited: A Response to Manfred Wagner.” The Musical Quarterly 80, no. 1 (January 1, 1996): 124–31. https://doi.org/10.1093/mq/80.1.124.
       Full Text
    • Gilliam, B. “The authorship of the text of Strauss's 'friedenstag'.” Music and Letters 76, no. 1 (February 1, 1995): 142–43. https://doi.org/10.1093/ml/76.1.142.
       Full Text
    • Gilliam, B. “"The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation".” The Musical Quarterly 78 (October 1994): 558–83.
    • GILLIAM, B. “'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE.” Tls the Times Literary Supplement, no. 4773 (September 23, 1994): 17–17.
       Link to Item
    • Gilliam, Bryan. “The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation.” The Musical Quarterly 78, no. 3 (1994): 584–604. https://doi.org/10.1093/mq/78.3.584.
       Full Text
    • Gilliam, B. “"The Two Versions of Bruckner’s Symphony no. 8" ("Rehearings").” 19th Century Music 15 (July 1992): 59–69.
    • GILLIAM, B. “THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY.” Nineteenth Century Music 16, no. 1 (1992): 59–69.
       Link to Item
    • Gilliam, B. “The Influence of Film on German Opera of the 1920s,” November 1991.
    • Gilliam, B. “Richard Strauss’s Intermezzo: Innovation and Tradition,” April 1990.
    • Gilliam, B. “Intermezzo und die Zeitoper in den Zwanziger Jahren,” October 1989.
    • Gilliam, B. “Die Elektra Premiere: Hintergründe und Rezeption,” June 1989.
    • Gilliam, B. “T. S. Eliot, The Waste Land, and the Legacy of Wagner,” March 1988.
    • Gilliam, B. “Hugo von Hofmannsthal, Richard Strauss, and the Evolution of Elektra,” 1988.
    • Gilliam, Bryan. “Gustav Mahler Richard Strauss: Correspondence, 1888-1911 . Gustav Mahler , Richard Strauss , Herta Blaukopf ..” Journal of the American Musicological Society 39, no. 2 (July 1986): 418–22. https://doi.org/10.1525/jams.1986.39.2.03a00100.
       Full Text
    • Gilliam, B. “"Richard Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity".” 19th Century Music 9 (March 1986): 176–88.
    • GILLIAM, B. “STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER 'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC CONTINUITY.” Nineteenth Century Music 9, no. 3 (1986): 176–88.
       Link to Item
    • Gilliam, B. “Richard Strauss’s Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity,” November 1982.
    • Gilliam, B. “Stefan Zweig’s Contribution to Strauss Opera after Die schweigsame Frau,” April 1981.

  • Book Sections

    • Gilliam, B. “Strauss’s Der Rosenkavalier, Ariadne auf Naxos, und Die Frau ohne Schatten.” In Richard Strauss Handbuch, edited by W. Werbeck, 75Completedpagesandinpress-75Completedpagesandinpress. Bärenreiter, 2014.
    • Gilliam, B. “Dans l’ombre de Bach : Lyonel Feininger musicien,” 2011.
    • Gilliam, B. “In the Shadow of Bach: Lyonel Feininger as a Musician.” In Lyonel Feininger: At the Edge of the World. Yale, 2011.
    • Gilliam, B. “"The Hofmannsthal Operas".” In Richard Strauss Companion, edited by Charles Youmans, 119–35. Cambridge University Press, 2010.
    • Gilliam, B. “"Strauss and the Sexual Body: The Aesthetics Humor, Philosophy, and Ego-Assertion".” In Richard Strauss Companion, edited by Charles Youmans, 269–79. Cambridge University Press, 2010.
    • Gilliam, B. “"In the Shadow of Bach: Lyonel Feininger as Musician".” In Lyonel Feininger: On the Edge of the World, edited by Barbara Haskell. Yale University Press, 2010.
    • Gilliam, B. “The Strauss-Hofmannsthal operas.” In The Cambridge Companion to Richard Strauss, 119–35, 2010. https://doi.org/10.1017/CCOL9780521899307.008.
       Full Text
    • Gilliam, B. “"Between Resignation and Hope: The Late Strauss".” In Late Thoughts, edited by Thomas Crowe and Karen Painter, pp.167-80. J. Paul Getty Institute, 2006.
    • Gilliam, B. “" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos - das Konzept der Verwandlung und die Ablehnung der griechischen Tragödie".” In Richard Strauss: Der Griechischer Germane, edited by Ulrich Tadday, 69–80. Munich: Boorberg Verlag, 2005.
    • Gilliam, B. “Introductory Essay.” In The Richard Strauss Companion, edited by Mark-Daniel Schmid. Praeger, 2003.
    • Gilliam, B. “"From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater.” In Americanism/Amerikanismus/Weill: Die Suche Nach Kultureller Indentität in Der Ersten Hälfte Des 20. Jahrhunderts, edited by Herrmann Danuser and Hermann Gottschewski, 147–59. Argus, 2003.
    • Gilliam, B. “"Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils".” In Gottfried von Einem Kongress, edited by Ingrid Fuchs, 303–13. Hans Schneider, 2003.
    • Gilliam, B. “"Biography (19,000 words) on Richard Strauss".” In Revised New Grove Dictionary of Music and Musicians, edited by Stanley Sadie, Vol. 24. Macmillan, 2001.
    • Gilliam, B. “"Biography for Stephen Jaffe".” In New Grove, edited by Stanley Sadie, 2001.
    • Gilliam, B. “" ’Friede im Innern’: Aussenwelt und Innenwelt von Richard Strauss um 1935".” In Richard Strauss Und Die Moderne, edited by Bernd Edelmann, Birgit Lodes, and Reinhold Schlötterer, 93–111. Henschel, 2001.
    • Gilliam, B. “"Elektras Tanz and Auflösung".” In Festschrift Reinhold Schlotterer, edited by Bernd Edelmann. Wissner, 1999.
    • Gilliam, B. “Prefatory essay in honor of Günter Brosche.” In Fetstschrift Günter Brosche, edited by Thomas Leibnitz. Hans Schneider, 1999.
    • Gilliam, B. “"A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America".” In Driven from Paradise: The Musical Migration from Nazi Germany to the United States, edited by Reinhold Brinkmann and Christoph Wolff, 334–57. University of California Press, 1999.
    • Gilliam, B. “"The Tone Poems of Richard Strauss".” In The 19th-Century Symphony, edited by D Kern Holoman, 345–68, 1997.
    • Gilliam, B. “"Stage and Screen: Kurt Weill and Operatic Reform in the 1920s".” In Music and Performance during the Weimar Republic, edited by B. Gilliam. Cambridge University Press, 1994.
    • Gilliam, B. “"Daphne’s Transformation".” In Richard Strauss and His World, edited by B. Gilliam, 33–66. Princeton University Press, 1992.
    • Gilliam, B. “"Richard Strauss’s Intermezzo: Innovation and Tradition".” In Richard Strauss: New Perspectives, edited by B. Gilliam, 259–83. DUke University Press, 1992.

  • Other Articles

    • Gilliam, B. “Rhetoric and the Human Condition in Mozart’s Last Three Symphonies,” August 2013.
    • Gilliam, B. “"A House Divided: The Tragic History of Dresden's Semper Opera House".” Opera News, 2010.
    • Gilliam, B. “"Richard Strauss and the National Socialist Regime",” November 2004.
    • Gilliam, B. “"Ariadne, Daphne, and the Problem of Transformation".” Cambridge Opera Journal, 2003.
    • Gilliam, B. “"Ariadne, Daphne, und das Problem der Verwandlung",” October 2002.

  • Reports

    • Gilliam, B. “"Body and Spirit in the Slow Movement of Beethoven’s Op. 130",” March 2004.
    • Gilliam, B. “Ein Skizzenbuch von Richard Strauss an der Harvard University,” December 1978.

  • Conference Papers

    • Gilliam, B. “The Problem of Trauma and Memory in Elektra, Ariadne auf Naxos, and Die Aegytische Helena,” 2013.
    • Gilliam, B. “"The String Quartet and Its Changing Audiences in the 19th Century",” 2000.
• Teaching & Mentoring
• 

  Recent Courses

  • MUSIC 258: Music History IV: Post-WWI through the Present 2019
  • MUSIC 393: Research Independent Study 2019
  • MUSIC 790S-1: Seminar in the History of Music 2019
  • MUSIC 791: Independent Study 2019
  • MUSIC 792: Independent Study in Performance Practice and Interpretation 2019
  • MUSIC 555: Music in the Nineteenth Century 2018
  • MUSIC 249: Hollywood Film Music 2017
  • MUSIC 290S-1: Special Topics in Music History 2017
• Scholarly, Clinical, & Service Activities
• 

  Presentations & Appearances

  • Erinnerung und Trauma in Ariadne auf Naxos. Leipzig Gewandhaus. June 2014  2014
  • Strauss Contra Wagner: Die Frau ohne Schatten and the Problem of Marriage. November 24, 2013  2013
  • A Viennes Symphonist or a Symphonist Living in Vienna: The Two Versions of Bruckner's 8th Symphony. April 4, 2012  2012
  • Memory and Trauma in the Mythologies of Strauss and Hofmannsthal. January 6, 2012  2012
  • Goethe, Wagner, and the Idea of German Culture. December 8, 2010  2010
  • Strauss and the Sexual Body: The Aesthetics of Humor, Philosphy, and Ego Assertion. December 8, 2010  2010
  • Lustmord in Weimar-Era Opera. August 25, 2010  2010
  • Schumann, Byron, and Manfred. August 25, 2010  2010
  • "Music during the Holocaust: Viktor Ullmann’s Der Kaiser von Atlantis". Ravinia Music Festival. July 2005  2005
• 

  Service to the Profession

  • Associate Editor : The Musical Quarterly. 2013  2013
  • Reviewer for American Council of Learned Societies (Mellon Felloships). 2013  2013
  • Reviewed book manuscript for U. Rochester Press. December 14, 2012  2012
  • Reviewed various articles for JAMS, MQ, and other journals. December 14, 2012  2012
  • AMS 50 Awards Committee. 2012  2012
  • Academic consultant for American Friends of the Salzburg Easter Festival. 2012  2012
  • Editorial Board Richard Strauss Edition (Munich). 2012  2012
  • Editorial Board : International Richard Strauss Edition. 2011  2011
  • Doctoral Viva for Oxford University (Magdelan College). December 8, 2010  2010
  • Program Committee for 16th Biennial British Conference on 19th Century Music. December 8, 2010  2010
  • Outside reader for Oxford University Dissertation. December 11, 2009  2009
  • Program Committee British Conference on 19th C. Music 2010. December 11, 2009  2009

Some information on this profile has been compiled automatically from Duke databases and external sources. (Our About page explains how this works.) If you see a problem with the information, please write to Scholars@Duke and let us know. We will reply promptly.