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Bryan Gilliam

Professor Emeritus of Music
Music
Box 90665, Durham, NC 27708-0665
067 Mary Duke Biddle, Durham, NC 27708

Selected Publications


Rounding Wagner's mountain: Richard Strauss and modern German opera

Book · January 1, 2014 Richard Strauss’ fifteen operas, which span the years 1893 to 1941, make up the largest German operatic legacy since Wagner’s operas of the nineteenth century. Many of Strauss’s works were based on texts by Europe’s finest writers: Oscar Wilde, Hugo von Ho ... Full text Cite

"The Hofmannsthal Operas"

Chapter · December 2010 Cite

The Strauss-Hofmannsthal operas

Chapter · January 1, 2010 The collaboration between Richard Strauss and Hugo von Hofmannsthal was one of the greatest composer-librettist relationships of all time, spanning nearly three decades until the poet's untimely death in July, 1929. It was an artistic association at the le ... Full text Cite

A House Divided

Journal Article OPERA NEWS · 2010 Cite

"Don Quixote and the Cinematic Strauss"

Journal Article · June 2005 Cite

Introduction

Journal Article South Atlantic Quarterly · January 1, 2005 Full text Cite

Rounding Wagner's mountain: Richard Strauss and modern German opera

Book · January 1, 2014 Richard Strauss’ fifteen operas, which span the years 1893 to 1941, make up the largest German operatic legacy since Wagner’s operas of the nineteenth century. Many of Strauss’s works were based on texts by Europe’s finest writers: Oscar Wilde, Hugo von Ho ... Full text Cite

"The Hofmannsthal Operas"

Chapter · December 2010 Cite

The Strauss-Hofmannsthal operas

Chapter · January 1, 2010 The collaboration between Richard Strauss and Hugo von Hofmannsthal was one of the greatest composer-librettist relationships of all time, spanning nearly three decades until the poet's untimely death in July, 1929. It was an artistic association at the le ... Full text Cite

A House Divided

Journal Article OPERA NEWS · 2010 Cite

"Don Quixote and the Cinematic Strauss"

Journal Article · June 2005 Cite

Introduction

Journal Article South Atlantic Quarterly · January 1, 2005 Full text Cite

Visual voice (Strauss's 'Salome')

Journal Article OPERA NEWS · 2004 Cite

Introductory Essay

Chapter · 2003 Cite

"Ariadne, Daphne, and the Problem of Transformation"

Other Cambridge Opera Journal · 2003 Cite

Elektras Tanz und Auflösung

Journal Article · April 1999 Cite

Strauss' "Friedenstag" und die Politik: Antwort an Gerhard Splitt

Journal Article Archiv für Musikwissenschaft · 1999 Full text Cite

Sibelius and Modernism

Journal Article · December 1997 Cite

Bruckner’s 8th Symphony

Journal Article · April 1996 Cite

Bruckner's Annexation Revisited: A Response to Manfred Wagner

Journal Article The Musical Quarterly · January 1, 1996 Full text Cite

The authorship of the text of Strauss's 'friedenstag'

Journal Article Music and Letters · February 1, 1995 Full text Cite

'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE

Journal Article TLS-THE TIMES LITERARY SUPPLEMENT · 1994 Cite

"The Two Versions of Bruckner’s Symphony no. 8" ("Rehearings")

Journal Article 19th-Century Music · July 1992 Cite

THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY

Journal Article NINETEENTH CENTURY MUSIC · 1992 Cite