Baldwin Auditorium, Duke University · November 10, 2024
The Red Clay Saxophone Quartet gave the second performance of the work they commissioned, "Crossed Shadows" for saxophone quartet and tape.
https://www.youtube.com/live/leCoRDrn75U?feature=shared&t=5388
Fulton Street Collective, Chicago, IL · July 10, 2024
Performance of my 2015 work "Divine the Rest" by the international ensemble Extended Music Collective.
University of Western Australia Conservatorium, Perth, Australia · August 3, 2023
Australian world premiere of "Rhapsody of the Double Object" for bass clarinet and tape.
Théâtre 2.21 · April 9, 2022
- April 10, 2022
Continuous 21-hour performance of a new (2022) version of "Usine" by ensemBle baBel, who commissioned it, joined by Ensemble Batida.
https://theatre221.ch/spectacle/444/vexations-usine
Neuchâtel, Switzerland · April 2, 2022
45-minute performance of new (2022) version of "Usine" by ensemBle baBel, who commissioned it, joined by Ensemble Batida.
Baldwin Auditorium, Duke University · February 19, 2022
The Ciompi Quartet gave a performance of "Soleil Noir" in a concert sponsored by Duke Performances in Baldwin Auditorium on Duke's campus.
online broadcast performance · April 17, 2021
Online pre-recorded broadcast performance (premiere) of "Soleil Noir" by the Ciompi String Quartet, who commissioned it.
https://johnsupko.com/Soleil-Noir
NYC storefront · March 3, 2021
Conrad Tao gave the NYC premiere of this piece, which features a generative and interactive software system, in a storefront in NYC. The audience was whoever happened to be passing by on the street. Loudspeakers projected the sound on the facade of the building.
https://johnsupko.com/OHTB
Heaven Gallery, Chicago, IL · November 16, 2019
A performance of "This Window" by Anatolia Evarkiou-Kaku, flutes, Rebecca McDaniel, percussion, Carl Alexander, countertenor, and Henry Stewart, piano.
Baldwin Auditorium, Duke University · November 13, 2019
A workshop/performance of "ONE HUNDRED THOUSAND BILLION PIECES FOR PIANO & COMPUTER" with Conrad Tao that was open to students and the public.
City Recital Hall, Sydney, Australia · August 31, 2019
Performance of "This Window Makes Me Feel" by Intercurrent at the Extended Play Festival in Sydney, Australia.
University of Melbourne, Melbourne, Australia · August 8, 2019
Multimedia performance of "This Window Makes Me Feel" by panSonus at the Unviersity of Melbourne.
Winston Salem, NC · April 1, 2019
Three screenings of Josh Gibson's "PIG FILM", for which I composed the score and made the sound design, on 10, 11, and 14 April 2019
Echo Park Film Center, Los Angeles, CA · March 14, 2019
A screening of Josh Gibson's "PIG FILM", for which I composed the score and made the sound design.
University of Tennessee-Knoxville · June 24, 2018
Performance of "The Devouring Shore" for percussion quartet and generative electronics by nief-norf, who commissioned it.
https://johnsupko.com/The-Devouring-Shore-1
Reynolds Theater, Duke University · April 14, 2018
Excerpts from the Seaman/Supko album "s_traits" choreographed by Prof. Barbara Dickinson and danced by Duke Dance Program students as part of the annual ChoreoLab.
von der Heyden Studio Theater, Rubenstein Arts Center · March 8, 2018
- March 10, 2018
Four performances of "THE_OPER&", a generative, multimedia opera.
Music and text by John Supko & Bill Seaman
Narration by Bill Seaman
Performed by Lorelei Ensemble
Direction & stage design by Jim Findlay
Video by Bill Seaman
Video programming by Keith Skretch
Music programming by John Supko
Machine learning programming by Matthew Kenney
Lighting design by Masha Tsimring
Choreography by Anna Barker
https://johnsupko.com/THE-OPER
University of Tennessee-Martin · November 29, 2017
University of Tennessee-Martin Contemporary Music Group premiere performance of "A Mystery", which they commissioned, as part of a Supko Portrait concert.
University of Tennessee-Martin · November 29, 2017
University of Tennessee-Martin Contemporary Music Group performance as part of a Supko Portrait concert.
University of Tennessee-Martin · November 29, 2017
University of Tennessee-Martin Contemporary Music Group performance as part of a Supko Portrait concert.
Miami Beach, FL · April 29, 2017
World premiere performance of "Broken on the Wheel of Night" for solo viola and 7.1 electronics, commissioned by the New World Symphony.
Les Passerelles, Pontault-Combault, France · December 13, 2015
Second French performance of "L'Imitation du sommeil", a concerto for classical guitar, countertenor, chamber ensemble, and generative electronics by Jérémy Jouve, guitar, Listen Ensemble, who commissioned it.
The Greene Space (WQXR), New York, NY · June 15, 2015
Performance of "Divine the Rest" by NOW Ensemble as part of their "Dreamfall" album release concert, which was simultaneously broadcast by Q2 Music in NYC.
Conservatoire de Musique & de Danse d’Aulnay-sous-Bois, Aulnay-sous-Bois, France · May 12, 2015
French world premiere performance of "L'Imitation du sommeil", a concerto for classical guitar, countertenor, chamber ensemble, and generative electronics by Jérémy Jouve, guitar, Listen Ensemble, who commissioned it.
East Carolina University, Greenville, NC · February 22, 2015
A concert presentation of three tracks from the Seaman/Supko album "s_traits" at a concert of the Circuit Bridges series.
Northern Illinois University, DeKalb, IL · November 5, 2014
The second performance of "The Devouring Shore" by the new music collective nief-norf, who commissioned it.
Pioneer Works, Brooklyn, NY · October 29, 2014
Album release concert for the Seaman/Supko album "s_traits." This was a performance by members of the Wet Ink Ensemble, who improvised live with the "bearings_traits" engine, which was used to generative the material for the album. Also featured in this concert was Bill Seaman's generative video engine.
https://johnsupko.com/bearings_traits
Gallery MC, New York, NY · September 25, 2014
A concert presentation of three tracks from the Seaman/Supko album "s_traits" at a concert of the Circuit Bridges series.
Furman University, Greenville, SC · May 27, 2014
World premiere performance of "The Devouring Shore" by nief-norf, who commissioned it, at their annual summer festival.
Contemporary Art Museum, Raleigh, NC · November 27, 2013
Second performance of evening-length electroacoustic monodrama "All Souls", based on the novel by Cees Nooteboom, by soprano Ashleigh Semkiw and New Music Raleigh, who commissioned it.
National Gallery of Art, Washington, D.C. · November 17, 2013
World premiere of evening-length electroacoustic monodrama "All Souls", based on the novel by Cees Nooteboom, by soprano Ashleigh Semkiw and New Music Raleigh, who commissioned it.
Montreux Jazz Festival, Montreux, Switzerland · July 12, 2013
Continuous 12-hour performance of "Usine" at the Montreux Jazz Festival by ensemBle baBel, who commissioned it.
Muziekgebouw aan ‘t IJ, Amsterdam, The Netherlands · April 6, 2013
- April 7, 2013
Continuous 21-hour performance of "Usine" at the World Minimal Music Festival in Amsterdam by ensemBle baBel, who commissioned it.
Romont, Switzerland · September 22, 2012
The Swiss group Ensemble Babel commissioned my work USINE for a 24-hour performance at the Festival de Romont in September 2012. This work is scored for bass clarinet, melodica, saxophones, electric guitar, double bass, drum set & generative electronics.
Galapagos Art Space (Brooklyn, NY) · November 21, 2011
The record release concert/party for "Drawn Only Once," sponsored by the record label, New Amsterdam Records.
Levine School of Music, Washington, DC · May 14, 2010
by the Meehan/Perkins Duo (Todd Meehan & Doug Perkins, percussion), who commissioned the work, with the support of Meet The Composer.
The Flea Theatre, NYC · March 28, 2010
Multimedia performance of "This Window Makes Me Feel" in new alto flute version by Due East (percussionist Greg Beyer & flutist Erin Lesser)
Marshall University (Huntington, WV) · December 3, 2009
A performance of my multimedia work, "Littoral" for flutes (1 player), percussion (1 player) and 5.1 surround-sound electronics in a new version with a newly commissioned video by NYC-based artist Kristine Marx. (35 minutes duration)
Fort Wayne, IN · April 16, 2009
A performance of my multimedia work "This Window Makes Me Feel", which was selected by the jury for the Society for Electro-Acoustic Music in the United States National Conference. This work is scored for soprano, piano/electric keyboard, percussion, elec
