Scholars@Duke

• Background
• 

  Education, Training, & Certifications

  • Ph.D., University of Rochester 1977
  • M.A., Michigan State University 1970
  • M.S., California Institute of Technology 1969
  • B.S., Rochester Institute of Technology 1966
• 

  Previous Appointments & Affiliations

  • Professor of English, English, Trinity College of Arts & Sciences 2008 - 2018
  • Professor of Literature, Literature, Trinity College of Arts & Sciences 2008 - 2018
  • James B. Duke Distinguished Professor of Literature, Literature, Trinity College of Arts & Sciences 2015 - 2018
  • Director of Graduate Studies in the Program in Literature, Literature, Trinity College of Arts & Sciences 2009 - 2012
• Recognition
• 

  In the News

  • MAY 1, 2015

    Duke Announces 2015 Distinguished Professors

  • APR 22, 2015

    Two Faculty Elected to American Academy of Arts and Sciences

  • AUG 27, 2014

    Hayles to Deliver Inaugural Humanities Lecture in Indiana

  • JUN 5, 2014

    WUNC

    Katherine Hayles: The expansion of video games

  • MAY 16, 2014

    Symmetry Magazine

    Science Fiction or Science Fact

  • MAY 12, 2014

    Symmetry

    Science fiction or science fact?

  • MAR 3, 2014

    In a Duke Lab, a Spy's Tools of the Trade

  • JUL 2, 2013

    Movin' Out: Duke's First Humanities Labs Close Up Shop
• 

  Awards & Honors

  • Elected . American Academy of Arts and Sciences. 2015
  • Fellowship. Institute for Advanced Studies, University of Durham. January 2015
  • Lifetime Achievement Award. Society for Literature, Science and the Arts. October 2013
  • Pilgrim Lifetime Achievement Award. Science Fiction Research Associates. October 2012
  • GreaterThanGames Humanities Lab Grant. Franklin Humanities Institute. August 2011
  • Fellow. National Humanities Center. 2006
  • René Wellek Prize. American Comparative Literature Association. 2000
  • Fellowships for University Teachers. National Endowment for the Humanities. 1999
  • External Faculty Fellowship. Stanford Humanities Center. 1991
  • Fellowship. John Simon Guggenheim Memorial Foundation. 1991
• Publications & Artistic Works
• 

  Selected Publications

  • Books

    • Hayles, N. K. Unthought: The Power of the Cognitive Nonconscious. University of Chicago Press, 2017.
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    • Hayles, N. K. Foreword: Why #WomenTechLit?, 2017.
    • Hayles, N. K. Foreword: Why #WomenTechLit?, 2017.
    • Hayles, N. K. Foreword: From causality to correlation, 2016. https://doi.org/10.1057/9781137520586.
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    • Hayles, N. K. Foreword, 2015. https://doi.org/10.4324/9781315781129.
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    • Hayles, N. K. FOREWORD, 2015.
    • Hayles, N Katherine, and Jessica Pressman, eds. Comparative Textual Media: Transforming the Humanities in the Postprint Era. Minneapolis: University of Minnesota Press, 2013.
    • Hayles, N. K. How We Think: Digital Media and Contemporary Technogenesis. Chicago: University of Chicago Press, 2012.
    • Hayles, N. K. Electronic Literature: New Horizons for the Literary. Notre Dame: University of Notre Dame Press, 2008.
    • Hayles, N. K. My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press, 2005.
    • Hayles, N Katherine, ed. Nanoculture: Implications of the New Technoscience. Bristol: Intellect Books, 2004.
    • Hayles, N. K. Writing Machines. Cambridge: MIT Press, 2002.
    • Hayles, N. K. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.
    • Hayles, H. K., ed. Chaos and Order: Complex Dynamics in Literature and Science. Chicago: University of Chicago Press, 1991.
    • Hayles, N. K. Chaos Bound: Orderly Disorder in Contemporary Literature and Science. Ithaca: Cornell University Press, 1990.
    • Hayles, N. K. The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century. Ithaca: Cornell University Press, 1984.

  • Academic Articles

    • Hayles, N. K. “APPROXIMATING ALGORITHMS: FROM DISCRIMINATING DATA TO TALKING WITH AN AI.” History and Theory 61, no. 4 (December 1, 2022): 152–65. https://doi.org/10.1111/hith.12283.
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    • Zournazi, M., and N. K. Hayles. “Creativity and Nonconscious Cognition: A Conversation with Mary Zournazi and N. Katherine Hayles.” Critical Studies in Teaching and Learning 10, no. SI (September 30, 2022): 164–76. https://doi.org/10.14426/cristal.v10iSI.589.
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    • Katherine Hayles, N. “Microbiomimesis: Bacteria, our cognitive collaborators.” Critical Inquiry 47, no. 4 (June 1, 2021): 777–87. https://doi.org/10.1086/714511.
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    • Hayles, N. K. “Novel corona: Posthuman virus.” Critical Inquiry 47, no. S2 (January 1, 2021): S68–72. https://doi.org/10.1086/711439.
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    • Hayles, N. K. “Textual and real-life spaces: expanding theoretical frameworks.” Studia Neophilologica 93, no. 2 (January 1, 2021): 125–35. https://doi.org/10.1080/00393274.2021.1916989.
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    • Hayles, N Katherine. “Morphing Intelligence: From IQ Measurement to Artificial Brains.” Critical Inquiry 46, no. 3 (March 1, 2020): 706–7.
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    • Hayles, N. K. “Can computers create meanings? A cyber/bio/semiotic perspective.” Critical Inquiry 46, no. 1 (September 1, 2019): 32–55. https://doi.org/10.1086/705303.
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    • Hayles, N. K. “Intermediation: The pursuit of a vision.” Methis 18, no. 23 (January 1, 2019): 180–207. https://doi.org/10.7592/methis.v18i23.14806.
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    • Hayles, N. K. “Human and machine cultures of reading: A cognitive-assemblage approach.” Pmla 133, no. 5 (October 1, 2018): 1225–42. https://doi.org/10.1632/pmla.2018.133.5.1225.
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    • Hayles, N Katherine. “Plain Text: The Poetics of Computation.” Critical Inquiry 44, no. 4 (June 1, 2018): 801–4.
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    • Hayles, N Katherine. “Maxing Out the Novel.” Novel 49, no. 3 (November 1, 2016): 519–22. https://doi.org/10.1215/00295132-3651278.
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    • Katherine Hayles, N. “Cognitive assemblages: Technical agency and human interactions.” Critical Inquiry 43, no. 1 (September 1, 2016): 32–55. https://doi.org/10.1086/688293.
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    • Hayles, N. K. “The cognitive nonconscious: Enlarging the mind of the humanities.” Critical Inquiry 42, no. 4 (June 1, 2016): 783–808. https://doi.org/10.1086/686950.
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    • Katherine Hayles, N. “The affectual distinctiveness of big books.” American Book Review 37, no. 2 (January 1, 2016): 15. https://doi.org/10.1353/abr.2016.0022.
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    • Hayles, N. K. “Brain imaging and the epistemology of vision: Daniel Suarez's daemon and freedom.” Mfs  Modern Fiction Studies 61, no. 2 (June 1, 2015): 320–34. https://doi.org/10.1353/mfs.2015.0025.
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    • Hayles, N Katherine. “The Black Hole of Quantum Theory.” Novel 48, no. 1 (May 1, 2015): 148–50. https://doi.org/10.1215/00295132-2860501.
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    • N. Katherine Hayles, Robert C. “Greg Egan's <em>Quarantine</em> and <em>Teranesia:</em> Contributions to the Millennial Reassessment of Consciousness and the Cognitive Nonconscious.” Science Fiction Studies 42, no. 1 (2015): 56–56. https://doi.org/10.5621/sciefictstud.42.1.0056.
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    • Hayles, Katherine, Patrick Jagoda, and Patrick LeMieux. “Speculation: Financial Games and Derivative Worlding in a Transmedia Era.” Critical Inquiry 40, no. 3 (2014): 220–36.
    • Hayles, N. K. “Cognition Everywhere: The Rise of the Cognitive Nonconscious and the Costs of Consciousness.” New Literary History 45, no. 2 (2014): 199–220. https://doi.org/10.1353/nlh.2014.0011.
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    • Hayles, Katherine. “Speculative Aesthetics and Object Oriented Inquiry (OOI).” Speculations: A Journal of Speculative Realism 5 (2014): 158–79.
    • Hayles, N. K. “Stanisław Lem's "Summa Technologiae": Mirror text to "The Cyberiad".” Science Fiction Studies 40, no. 3 (November 2013): 417–27. https://doi.org/10.5621/sciefictstud.40.3.0417.
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    • Hayles, N. K. “Rewiring Literary Criticism (Review of Mark C. Taylor's "Rewiring the Real: Conversations with William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo").” Los Angeles Review of Books, 2013.
    • Katherine Hayles, N. “Combining close and distant reading: Jonathan Safran Foer's Tree of Codes and the aesthetic of bookishness.” Pmla 128, no. 1 (January 1, 2013): 226–31. https://doi.org/10.1632/pmla.2013.128.1.226.
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    • Hayles, N Katherine. “Review of Braden R. Allenby and Daniel Sarewitz's "The Techno-Human Condition".” Technology and Culture 53, no. 4 (October 2012): 920–21.
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    • Hayles, N. K. “Remixed Up (Review of Mark Amerika's "Remix the Book" and Alex Goody's "Technology, Literature and Culture").” Tls  the Times Literary Supplement, no. 5698 (June 15, 2012): 22.
    • Hayles, Katherine. “Tech-TOC: Complex Temporalities in Living and Technical Beings.” Electronic Book Review, 2012.
    • Hayles, Katherine. “Material Entanglements: Steven Hall’s "The Raw Shark Texts" as Slipstream Novel.” Science Fiction Studies 38, no. 1 (2011): 115–33.
    • Piper, A., and N. K. Hayles. “'How We Became Posthuman': Ten Years On (An Interview with N. Katherine Hayles).” Paragraph: A Journal of Modern Critical Theory 33, no. 3 (November 2010): 318–30. https://doi.org/10.3366/E0264833410000933.
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    • Hayles, N Katherine, and James J. Pulizzi. “Narrating Consciousness.” History of the Human Sciences 21, no. 3 (2010): 131–48.
    • Hayles, N Katherine. “After Shocks: Posthuman Ambivalence.” Postmedieval: A Journal of Medieval Cultural Studies 1, no. 1–2 (2010): 262–71. https://doi.org/10.1057/pmed.2010.28.
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    • Hayles, N. K. “Electronic Literature: What Is It?” Text@Media, 2010, 18–37.
    • Hayles, Katherine. “How We Read: Close, Hyper, Machine.” Ade Bulletin 150 (2010): 62–79.
    • Hayles, K. “Sleepwalking into the Surveillance Society.” Surveillance and Society 6, no. 3 (2009): 2–9.
    • Hayles, K. “RFID: Human Agency and Meaning in Information-Intensive Environments.” Theory, Culture and Society: Explorations in Critical Social Science 26 (2009): 1–24.
    • Hayles, N. K. “Waking up to the surveillance society.” Surveillance and Society 6, no. 3 (January 1, 2009): 313–16. https://doi.org/10.24908/ss.v6i3.3289.
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    • Hayles, K. “RFID: Human Agency and Meaning in Information-Intensive Environments.” Theory, Culture and Society 26, no. 2/3 (2009): 1–24.
    • Hayles, N Katherine. “Narrative and Database: Natural Symbionts (Response to Ed Folsom's "Database as Genre, The Epic Transformation of Archives").” Pmla 122, no. 5 (October 2007): 1603–8.
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    • Hayles, N Katherine. “Intermediation: The Pursuit of a Vision.” New Literary History 38, no. 1 (January 2007): 99–125. https://doi.org/10.1353/nlh.2007.0021.
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    • Hayles, N Katherine. “Revealing and Transforming: How Electronic Literature Re-Values Computational Practice.” Performance Research 11, no. 4 (December 2006): 5–16. https://doi.org/10.1080/13528160701363192.
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    • Hayles, N. K. “Unfinished Work: From Cyborg to Cognisphere.” Theory, Culture & Society 23, no. 7–8 (December 1, 2006): 159–66. https://doi.org/10.1177/0263276406069229.
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    • Hayles, N Katherine. “Traumas of Code.” Critical Inquiry 33, no. 1 (September 2006): 136–57. https://doi.org/10.1086/509749.
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    • Hayles, N Katherine. “Narrating Bits: Encounters between Humans and Intelligent Machines.” Comparative Critical Studies 2, no. 2 (June 2005): 165–90. https://doi.org/10.3366/ccs.2005.2.2.165.
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    • Hayles, N. K. “Attacking the Borg of Corporate Knowledge Work: The Achivement of Alan Liu's "The Laws of Cool".” Criticism 47, no. 2 (March 2005): 235–39.
    • Hayles, N Katherine. “Commentary: The Search for the Human.” New Literary History 36, no. 2 (January 2005): 327–33. https://doi.org/10.1353/nlh.2005.0032.
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    • Hayles, N. K. “Visiting Wonderland (A Riposte to Diana Lobb's "The Emperor's New Clothes").” Electronic Book Review, December 5, 2004.
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    • Hayles, N. K., and N. Gessler. “The Slipstream of Mixed Reality: Unstable Ontologies and Semiotic Markers in "The Thirteenth Floor," "Dark City," and "Mulholland Drive".” Pmla 119, no. 3 (May 2004): 482–99. https://doi.org/10.1632/003081204X20541.
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    • Hayles, N. K. “Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis.” Poetics Today 25, no. 1 (March 1, 2004): 67–90. https://doi.org/10.1215/03335372-25-1-67.
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    • Hayles, N Katherine. “Refiguring the Posthuman.” Comparative Literature Studies 41, no. 3 (January 2004): 311–16. https://doi.org/10.1353/cls.2004.0031.
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    • Hayles, N. K. “Afterword: The Human in the Posthuman.” Cultural Critique 53 (December 2003): 134–37.
    • Hayles, N Katherine. “Translating Media: Why We Should Rethink Textuality.” The Yale Journal of Criticism 6, no. 3 (January 2003): 263–90. https://doi.org/10.1353/yale.2003.0018.
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    • Hayles, N Katherine. “Deeper into the Machine: Learning to Speak Digital.” Computers and Composition 19, no. 4 (December 2002): 371–86. https://doi.org/10.1016/S8755-4615(02)00140-8.
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    • Hayles, N. K. “Saving the Subject: Remediation in "House of Leaves".” American Literature 74, no. 4 (December 2002): 779–807. https://doi.org/10.1215/00029831-74-4-779.
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    • Hayles, N. K. “Prognosticating the Present (Review of "Edging into the Future: Science Fiction and Contemporary Cultural Transformation").” Science Fiction Studies 29 (November 2002): 500–503.
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    • Hayles, N Katherine. “The Complexities of Seriation.” Pmla 117, no. 1 (January 2002): 117–21. https://doi.org/10.1632/003081202X63564.
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    • Hayles, N. K. “Is Utopia Obsolete?” Peace Review 14, no. 2 (2002): 133–40.
    • Hayles, N. K. “Flesh and Metal: Reconfiguring the Mindbody in Virtual Environments.” Configurations 10 (2002): 297–320.
    • Hayles, Katherine. “Review of Stefan Helmreich's "Silicon Second Nature".” Artificial Life 7, no. 4 (October 2001): 425–28. https://doi.org/10.1162/106454601317297040.
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    • Hayles, N Katherine. “Metaphoric Networks in "Lexia to Perplexia".” Electronic Art and Animation Catalog 31–34 (2001): 31–34. https://doi.org/10.1076/digc.12.3.133.3226.
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    • Hayles, N. K. “Metaphoric Networks in Lexia to Perplexia.” Digital Creativity 12, no. 3 (2001): 133–39.
    • Hayles, N. K. “The Materiality of the Medium: Hypertext Narrative in Print and New Media.” Narrative 9, no. 1 (January 2001): 21–39.
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    • Hayles, N. K. “Desiring Agency: Limiting Metaphors and Enabling Constraints in Dawkins and Deleuze/Guattari.” Substance 30 (no. 1 & 2), no. 94–95 (2001): 144–59.
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    • Hayles, N. K. “Adam Ross: Paranoid Utopias.” Art/Text 70 (2000): 62–65.
    • Hayles, N. K. “The Invention of Copyright and the Birth of Monsters: Flickering Connectivities in Shelley Jackson's "Patchwork Girl".” Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 10, no. 2 (January 2000).
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    • Hayles, N. K. “Cognition on a Desert Island (Commentary on Edwin Hutchins' "Cognition in the Wild").” Genre 23, no. 3–4 (2000): 331–38.
    • Hayles, N. K. “Visualizing the Posthuman.” Art Journal 59, no. 3 (2000): 50–54.
    • Hayles, N Katherine. “Simulating Narratives: What Virtual Creatures Can Teach Us.” Critical Inquiry 26, no. 1 (1999): 1–26. https://doi.org/10.1086/448950.
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    • Hayles, N. K. “Review of Brian Richardson's "Unlikely Stories: Causality and the Nature of Modern Narrative".” South Atlantic Review, 1999, 140–41.
    • Hayles, N. K. “The Illusion of Autonomy and the Fact of Recursivity: Virtual Ecologies, Entertainment, and "Infinite Jest".” New Literary History: A Journal of Theory and Interpretation 30, no. 3 (1999): 675–97.
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    • Hayles, N. K. “Hot List: N. Katherine Hayles on Byte Lit.” Artforum International 37, no. 2 (1998): 33.
    • Hayles, N Katherine. “Corporeal Anxiety in "Dictionary of the Khazars": What Books Talk About in the Late Age of Print When They Talk About Losing Their Bodies.” Modern Fiction Studies 43, no. 3 (1997): 800–820. https://doi.org/10.1353/mfs.1997.0060.
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    • Hayles, N. K. “The Posthuman Body: Inscription and Incorporation in "Galatea 2.2" and "Snow Crash".” Configurations 5, no. 2 (1997): 241–66.
    • Hayles, N. K. “Interrogating the Posthuman Body (Review of Anne Balsamo's "Technologies of the Gendered Body: Reading Cyborg Women" and Judith Halberstam and Ira Livingston's "Posthuman Bodies").” Contemporary Literature 38, no. 4 (1997): 755–62. https://doi.org/10.2307/1208936.
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    • Hayles, N. K. “Situating Narrative in an Ecology of New Media.” Modern Fiction Studies 43, no. 3 (1997): 573–76. https://doi.org/10.1353/mfs.1997.0059.
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    • Hayles, N. K. “Why Literature and Science?” American Book Review 18, no. 5 (1997).
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    • Hayles, N. K. “Walking in Water (Review of Michael Joyce's "Of Two Minds: Hypertext Poetics and Pedagogy").” Scientific American 274, no. 1 (January 1996): 104–5.
    • HAYLES, N. K. “Boundary Work with a Vengeance.” Arachne 2, no. 1 (1995): 3–15.
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    • HAYLES, N. K. “Engineering Cyborg Ideology (Review of Diane Greco's "Cyborg: Engineering the Body Electric").” American Book Review 17, no. 2 (1995): 3.
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    • HAYLES, N. K. “Making the Cut: The Interplay of Narrative and System, or What System Theory Can't See.” Cultural Critique: An International Journal of Cultural Studies, no. 30 (1995): 71–100. https://doi.org/10.2307/1354433.
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    • Hayles, N. K. “Hypertext "Hamlet".” Humanities 16, no. 5 (1995): 23–27.
    • Hayles, N. K. “From Transylvania to Transgender (Review of Allucquere Roseanne Stone's "The War Between Desire and Technology at the Close of the Mechanical Age).” Art + Text 52 (1995): 31–32.
    • Hayles, N. K., and Niklas Luhmann. “Theory of a Different Order: A Conversation with Niklas Luhmann and Katherine Hayles.” Cultural Critique 31 (1995): 7–37.
    • HAYLES, N. K. “Review of Ronald Schleifer, Robert Con Davis, and Nancy Mergler's "Culture and Cognition: The Boundaries of Literary Scientific Inquiry".” Isis: An International Review Devoted to the History of Science and Its Cultural Influences 85, no. 4 (December 1994): 743–44. https://doi.org/10.1086/357064.
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    • Hayles, N. K. “Boundary Disputes: Homeostasis, Reflexivity, and the Foundations of Cybernetics.” Configurations: A Journal of Literature, Science and Technology 3 (1994): 441–67.
    • Hayles, N. K. “The Embodiment of Meaning (Response to Herbert Simon).” Stanford Humanities Review 4 (1994): 62–64.
    • Hayles, N. K. “Particles and Paste (Review of Kathryn Hume's "Calvino's Fictions: Cogito Cosmos").” London Times Higher Education Supplement, April 30, 1993, 21.
    • Hayles, N. K. “Chaotics: Culture and Chaos.” Louisiana Revy 33, no. 2 (February 1993): 6–9.
    • HAYLES, N. K. “Virtual Bodies and Flickering Signifiers.” October 66 66 (1993): 66–92.
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    • Hayles, N. K. “The Materiality of Informatics.” Configurations: A Journal of Literature, Science and Technology 1 (1993): 147–70.
    • HAYLES, N. K. “Trusting the Material (Review of Steve Heims' "The Cybernetics Group").” History of the Human Sciences 5, no. 2 (May 1992): 150–54. https://doi.org/10.1177/095269519200500213.
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    • Hayles, N Katherine. “The Rip Van Winkle Syndrome (Review of Lorelei Cederstrom's "Fine-Tuning the Feminine Psyche: Jungian Patterns in the Novels of Doris Lessing").” Science Fiction Studies 19 (March 1992): 96–98.
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    • Hayles, N Katherine. “World Without Ground (Review of Francisco Valera, Evan Thompson, and Eleanor Rosch's "The Embodied Mind: Cognitive Science and Human Experience").” American Book Review 14, no. 1 (1992): 13–13.
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    • Hayles, N. K. “Gender Encoding in Fluid Mechanics: Masculine Channels and Feminine Flows.” Differences 4 (1992): 16–44.
    • Hayles, N Katherine. “The Borders of Madness (Response to Jean Baudrillard).” Science Fiction Studies 18 (November 1991): 321–29.
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    • Hayles, N Katherine. “Constrained Constructivism: Locating Scientific Inquiry in the Theater of Representation.” New Orleans Review 18, no. 1 (1991): 76–85.
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    • Hayles, N. K. “'Who was Saved?': Families, Snitches, and Recuperation in Pynchon's 'Vineland'.” Critique: Studies in Contemporary Fiction 32, no. 2 (December 1990): 77–91. https://doi.org/10.1080/00111619.1990.9933801.
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    • Hayles, N Katherine. “Postmodern Parataxis: Embodied Texts, Weightless Information.” American Literary History 2, no. 3 (January 1990): 394–421. https://doi.org/10.1093/alh/2.3.394.
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    • Hayles, N. K. “Designs on the Body: Cybernetics, Norbert Wiener, and the Play of Metaphor.” History of the Human Sciences 3 (1990): 212–28.
    • Hayles, N. K. “Designs on the body: Norbert Wiener, cybernetics, and the play of metaphor.” History of the Human Sciences 3, no. 2 (January 1, 1990): 211–28. https://doi.org/10.1177/095269519000300204.
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    • Hayles, N Katherine. “Chaos as Orderly Disorder: Shifting Ground in Literature and Science.” New Literary History 20, no. 2 (1989): 305–22. https://doi.org/10.2307/469103.
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    • Hayles, N. K. “Fractured Mandala: The Inescapable Ambiguities of "Gravity's Rainbow" (Review of Steven Weisenberg's "Companion to "Gravity's Rainbow"").” Pynchon Notes, 1989, 24–25.
    • Hayles, N Katherine. “Two Voices, One Channel: Equivocation in Michel Serres.” Substance 57 (1988): 3–12.
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    • Hayles, N. K. “Text Out of Context: Situating Postmodernism in an Information Society.” Discourse 9 (1987): 24–36.
    • Hayles, N Katherine. “Space for Writing: Stanislaw Lem and the Dialectic 'That Guides My Pen'.” Science Fiction Studies 13 (November 1986): 292–312.
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    • Hayles, N Katherine. “Anger in Different Voices: Carol Gilligan and "The Mill on the Floss".” Signs: Journal of Women in Culture and Society 12, no. 1 (January 1986): 23–39. https://doi.org/10.1086/494295.
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    • Hayles, N Katherine. “The Nature of Women (Review of Linda Woodbridge's "Women and the English Renaissance").” Modern Language Quarterly 46, no. 3–4 (1985): 378–80.
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    • Hayles, N. K. “Women, Literature, and a Small-Town Library.” Show Me Libraries 36 (1985): 15–18.
    • Hayles, N. K., and Mary Eiser. “Coloring "Gravity's Rainbow".” Pynchon Notes 16 (1985): 3–24.
    • Hayles, N Katherine. “The Perils of Theory (Review of Robert Nadeau's "Readings from the New Book on Nature: Physics and Metaphysics in the Modern Novel").” Science, Technology and Human Values 8 (1983): 52–54.
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    • Hayles, N. K. “Cosmology and the Point of (No) Return in "Gravity's Rainbow".” Markham Review 12 (1983): 73–77.
    • Hayles, N Katherine. “Making a Virtue of Necessity: Pattern and Freedom in Nabokov's "Ada".” Contemporary Literature 23 (1982): 32–51. https://doi.org/10.2307/1208141.
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    • Hayles, N Katherine. “The Ambivalent Approach: D. H. Lawrence and the New Physics.” Mosaic: A Journal for the Interdisciplinary Study of Literature 15, no. 3 (1982): 89–108.
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    • Hayles, N Katherine, and Kathryn Rindskoff. “The Shadow of Violence.” Journal of Popular Film and Television 8, no. 2 (1981): 2–8.
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    • Hayles, N. K. “An Imperfect Art: Competing Patterns in "More Than Human".” Extrapolation 22 (1981): 13–24.
    • Hayles, N. K. “Sexual Disguise in "Cymbeline".” Modern Language Quarterly 41, no. 3 (1980): 231–47. https://doi.org/10.1215/00267929-41-3-231.
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    • Hayles, N. K., and Kathryn Rindskoff. “Cruising the Shadows.” Psychological Perspectives: A Semiannual Journal of Jungian Thought 11 (1980): 227–31.
    • Hayles, N. K. “Science Fiction: Contemporary Mythology.” Galileo, September 1978, 90–91.
    • Hayles, N. K., Fred C. Anson, Nancy Rathjen, and Robert D. Frisbee. “The Absence of a Detectable Potential‐Dependence of the Transfer Coefficient in the Cr+3/Cr+2 Reaction.” Journal of the Electrochemical Society 117 (1970): 477–82.
    • Hayles, N. K. “Schizoid Android: Cybernetics and the Mid-Sixties Novels of Philip K. Dick.” Journal of the Fantastic in the Arts 8 (n.d.): 22–45.

  • Book Sections

    • Hayles, N. K. “Ethics for cognitive assemblages: Who's in charge here?” In Palgrave Handbook of Critical Posthumanism, 2:1195–1223, 2022. https://doi.org/10.1007/978-3-031-04958-3_11.
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    • Hayles, N. K. “Three species challenges: Toward a general ecology of cognitive assemblages.” In The Ethos of Digital Environments: Technology, Literary Theory and Philosophy, 27–45, 2021.
    • Hargrove, Amanda E. “Preface.,” 623:xv–xvii, 2019. https://doi.org/10.1016/S0076-6879(19)30266-6.
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    • Hayles, N. K. “The cognitive nonconscious and the new materialisms.” In The New Politics of Materialism: History, Philosophy, Science, 181–99, 2017. https://doi.org/10.4324/9781315268477.
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    • Hayles, N. K. “Beyond Human Scale: Steve Tomasula's "The Book of Portraiture".” In Steve Tomasula: The Art and Science of New Media Fiction. Bloomsbury, 2015.
    • Hayles, Katherine. “The Cognitive Nonconscious and the Larger Landscape.” In Beyond the Humanities and the Digital, edited by Patrik Svensson and David Theo Goldberg. Cambridge: MIT Press, 2014.
    • Hayles, N. K. “Influences of the Digital.” In Postmodern/Postwar--and After, edited by Daniel Worden, Jason Gladstone, and Andrew Hoberek. Iowa City: University of Iowa Press, 2014.
    • Hayles, N. K. “Unfinished work: From cyborg to cognisphere.” In Architectural Theories of the Environment: Posthuman Territory, 37–43, 2013.
    • Hayles, N. K., and Todd Gannon. “Virtual, Actual, Ineffable: Architecture and Media in the Age of Computation.” In Ineffable: Architecture, Computation, and the Inexpressable, edited by Bradley Horn, 58–71. Shenzhen, China: Oscar Riera Ojeda, 2013.
    • Johnson, W. A. “Bookrolls as media.” In Comparative Textual Media: Transforming the Humanities in the Postprint Era, edited by N Kathrine Hayles and Jessica Pressman, 101–24, 2013.
    • Hayles, N. K. “How we think: Transforming power and digital technologies.” In Understanding Digital Humanities, 42–66, 2012. https://doi.org/10.1057/9780230371934.
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    • Hayles, N. K. “Media, Materiality, and the Human: A Conversation with N. Katherine Hayles.” In Communication Matters: Materialist Approaches to Media, Mobility, and Networks, edited by Jeremy Packer and Stephen B. Crofts Wiley, 17–34. London and New York: Routledge, 2012.
    • Hayles, N. K., and T. Gannon. “Virtual architecture, actual media.” In The SAGE Handbook of Architectural Theory, 484–500, 2012. https://doi.org/10.4135/9781446201756.n29.
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    • Hayles, Katherine, and Nick Montfort. “Interactive Fiction.” In Routledge Companion to Experimental Literature, edited by Joe Bray, Allison Gibbons, and Brian McHale. New York: Routledge, 2012.
    • Hayles, N. K. “Navigating the Cognisphere: Meditations on Visualization, Memory, Database, and Narrative.” In Euphoria Dystopia, edited by Sara Cook and Sarah Diamond, 72–83. Banff, AB: Banff Centre Press, 2011.
    • Hayles, Katherine. “Annotations.” In The Exegesis of Philip K. Dick, edited by Pamela Jackson, Jonathan Lethem, and Erik David. New York: Houghton Mifflin Harcourt, 2011.
    • Hayles, Katherine. “Mapping Time, Charting Data: The Spatial Aesthetic of Mark Z. Danielewski’s "Only Revolutions".” In Essays on Mark Z. Danielewski, edited by Allison Gibbons and Joe Bray, 159–77. Manchester: Manchester University Press, 2011.
    • Hayles, Katherine. “Complex Temporalities in Living and Technical Beings (Komplexe Zeitstrukturen lebender und technischer Wesen).” In The Technical Condition: Existence and Knowledge in the Technical World (Die Technologische Bedingung: Beiträge Zue Beschreibung Der Technischen Welt), 193–228. Berlin: Suhrkamp, 2011.
    • Hayles, N. K. “What Does It Mean to be Posthuman.” In The New Media and Cybercultures Anthology, edited by P. K. Nayar, 19–28. Chicester, West Sussex, UK, 2010.
    • Hayles, N. K. “RFID: Human Agency and Meaning in Information-Intensive Environments.” In Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres, edited by J. Schaefer and P. Gendolla, 95–122. Bielefeld, Germany: Transcript Verlag, 2010.
    • Hayles, N. K. “Traumas of Code.” In Digital and Other Virtualities: Renegotiating the Image, edited by A. Bryant and G. Pollock, 23–41. London: I.B. Truis, 2010.
    • Hayles, Katherine. “Cybernetics.” In Critical Terms for Media Studies, edited by W. J. T. Mitchell and Mark B. N. Hansen, 145–56. Chicago: University of Chicago Press, 2010.
    • Hayles, N. K. “The Future of Literature: Complex Surfaces of Electronic Texts and Print Books.” In A Time for the Humanities: Futurity and the Limits of Autonomy, edited by James J. Bono, Tim Dean, and Ewa Plonowska Ziarek, 180–209. Fordham University Press, 2008.
    • Hayles, K. “The Materiality of Informatics: Audiotape and Its Cultural Niche.” In The Design Culture Reader, edited by Ben Highmore, 317–27. Routledge, 2008.
    • Hayles, K. “Distributed Cognition at/in Work: Strickland, Lawson Jaramillo, and Ryan’s "slippingglimpse".” In Literary Art in Digital Performance, edited by Francisco Ricardo, 38–47. London: Continuum Books, 2008.
    • Hayles, N. K. “(Un)masking the Agent: Stanislaw Lem's 'The Mask'.” In The Art and Science of Stanislaw Lem, edited by P. Swirski, 22–46. Montreal and Kingston: McGill-Queen’s University Press, 2007.
    • Hayles, N. K., and Todd Gannon. “Mood Swings: The Aesthetics of Ambient Emergence.” In The Mourning After: Attending the Wake of Postmodernism, edited by Neil Brooks and Josh Toth, 99–142. Amsterdam: Rodopi Press, 2007.
    • Hayles, N. K. “Afterword.” In Crowds, edited by Jeffrey T. Schnapp and Matthew Tiews, 377–78. Stanford: Stanford University Press, 2006.
    • Hayles, N. K. “Is utopia obsolete? Imploding boundaries in Neal Stephenson's The Diamond Age.” In World Weavers: Globalization, Science Fiction, and the Cybernetic Revolution, 95–110, 2005.
    • Hayles, N. K., and Nathan Brown. “Representation and Technology.” In Science, Technology, and Society: An Encyclopedia, edited by Sal Restivo. Oxford: Oxford University Press, 2005.
    • Hayles, N. K. “Metaphoric Networks in "Lexia to Perplexia".” In First Person: New Media as Story, Performance, and Game, edited by Noah Wardrip-Fruin and Pat Harrigan. Cambridge: MIT Press, 2004.
    • Hayles, N. K. “Bodies of Texts, Bodies of Subjects: Metaphoric Networks in New Media.” In Memory Bytes: History, Technology, and Digital Culture, edited by Lauren Rabinovitz and Abraham Geil, 257–82. Durham, NC: Duke University Press, 2004.
    • Hayles, N. K. “Performative Code and Figurative Language: Neal Stephenson's "Cryptonomicon".” In Science, Technology, and the Humanities in Recent American Fiction, edited by Peter Freese and Charles B. Harris, 279–316. Essen, Germany: Verlag, 2004.
    • Hayles, N. K. “From Utopia to Mutopia: Recursive Complexity and the Nanospatiality of "The Diamond Age".” In World Weavers: Globalization, Science Fiction, and the Cybernetic Revolution, edited by Wong Kin Yuen, Gary Westfahl, and Amy Chant Kit Sze. Hong Kong: Hong Kong University Press, 2004.
    • Hayles, N. K. “Computing the Human (Fuelle der Combination).” In Literaturforschung Und Wissenschaftsgeschitchte, edited by Bernhard J. Dotzler and Sigrid Weigel. Munich, Germany: Fink, 2004.
    • Hayles, N. K. “Performative Code and Figurative Language: Neal Stephenson’s Cryptonomicon.” In The Holodeck in the Garden:  Science and Technology in Contemporary American Fiction, edited by P. Freese and C. B. Harris, 2–27. New York: Dalkey Archive Press, 2004.
    • James, R. “The Seductions of Cyberspace.” In Everyday Theory, edited by B. McLaughlin and B. Coleman. London: Longman, 2004.
    • Hayles, N. K. “Timely Art: Hybridity in New Cinema and Electronic Poetry.” In Future Cinema: The Cinematic Imaginary After Film, edited by Jeffrey Shaw and Peter Weibel, 316–21. Cambridge: MIT Press, 2003.
    • Hayles, N. K. “Supersensual Chaos and Catherine Richards' "Excitable Tissues".” In Catherine Richards: Excitable Tissues, edited by Sylvie Fortin, 9–24. Ottawa: The Ottawa Art Gallery, 2003.
    • Hayles, N. K. “Who Is In Control Here? Meditating on Eduardo Kac's Transgenic Art.” In The Eighth Day: The Transgenic Art of Eduardo Kac, edited by Sheilah Britton and Dan Collins, 79–86. Tempe, AZ: Institute of Studies in the Arts, Arizona State University, 2003.
    • Hayles, N. K. “Foreword.” In Prefiguring Cyberspace, edited by Darren Tofts. Cambridge: MIT Press, 2003.
    • Hayles, N. K. “Computing the Human (in German) Fuelle der Combination.” In Cyber, Virtual, and Bio Literature, The New Korean Association of English Language and Literature, 1–25. Pusan, South Korea, 2003.
    • Hayles, N. K. “Computing the Human (in German) Fuelle der Combination.” In Turbulente Körper, Soziale Maschinen: Feministische Studien Zur Technowissenschaftskultur, edited by J. Weber and C. Bathr, 99–198. Leske: Oplanden, 2003.
    • Hayles, N. K. “Virtual Bodies and Flickering Signifiers.” In The Feminism and Visual Culture Reader, edited by A. Jones, 497–506. London: Routledge, 2003.
    • Hayles, N. K. “Virtual Bodies and Flickering Signifiers.” In Visual Culture Reader, edited by N. Mirzoeff, 152–60. London & New York: Routledge, 2003.
    • Hayles, N. K. “Flesh and Metal: Reconfiguring the Mindbody in Virtual Environments.” In Semiotic Flesh Information and the Human Body, edited by Phillip Thurtle and Robert Mitchell, 52–68. Walter Chapin Simpson Center for the Humanities, University of Washington, 2002.
    • Hayles, N. K. “Escape and Constraint: Three Fictions Dream of Moving from Energy to Information.” In From Energy to Information: Representation in Science and Technology, Art, and Literature, edited by Linda Henderson and Bruce Clarke, 235–54. Stanford: Stanford University Press, 2002.
    • Hayles, N. K. “Flesh and Metal: Reconfiguring the Mindbody in Virtual Environments.” In Singularitäten—Allianzen, Interventions 11, edited by J. Huber, 289–304. Vienna & New York: Springer, 2002.
    • Hayles, N. K. “Virtual Bodies and Flickering Signifiers.” In Connexions: Art, Reseaux, Media, edited by A. Burgeaud and N. Magnan, 507–44. Paris: École Nationale Supérieure des Beaux-Arts, 2002.
    • Hayles, N. K. “Chaos as Orderly Disorder: Shifting Ground in Literature and Science.” In Twentieth Century Literary Criticism, Vol. 90. New York: Gale Publishing Company, 2002.
    • Hayles, N. K. “Schizoid Android: Cybernetics and the Mid-Sixties Novels of Philip K. Dick.” In Revista de Communicação e Linguagens, edited by F. R. Cádima and J. M. Rosa, 107–42. Reglógio D’Άgua Editores, 2001.
    • Hayles, N. K. “Enlightened Chaos.” In Disrupted Patterns: On Chaos and Order in the Enlightenment, edited by Theodore E. D. Braun and John A. McCarthy, 1–5. Amsterdam, Vienna, Atlanta: Rodopi, 2000.
    • Hayles, N. K. “Making the Cut: The Interplay of Narrative and System, or What System Theory Can't See.” In Observing Complexity: Systems Theory and Postmodernity, edited by W. Rasch and C. Wolfe, 137–62. Chicago: University of Chicago Press, 2000.
    • Hayles, N. K. “Theory of a Different Order: A Conversation with Niklas Luhmann and Katherine Hayles.” In Observing Complexity: Systems Theory and Postmodernity, edited by W. Rasch and C. Wolfe, 111–36. Chicago: University of Chicago Press, 2000.
    • Hayles, N. K. “Artificial Life and Literary Culture.” In Cyperspace Textuality: Computer Culture and Literary Theory, 205–23. Indiana University Press, 1999.
    • Hayles, N. K. “The Life Cycle of Cyborgs: Writing the Posthuman.” In Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace, edited by J. Wolmark, 157–73. Edinburgh: Edinburgh University Press, 1999.
    • Hayles, N. K. “From Self-Organization to Emergence: Aesthetic Implications of Shifting Ideas of Organization.” In Chaos and the Changing Nature of Science and Medicine, 133–57. Woodbury, NY: American Institute of Physics, 1998.
    • Hayles, N. K. “The Condition of Virtuality.” In Language Machines: Technologies of Literary and Cultural Production, edited by Jeffrey Masten, Peter Stallybrass, and Nancy Vickers, 183–208. London and New York: Routledge, 1997.
    • Hayles, N. K. “Voices Out of Bodies and Bodies Out of Voices.” In Sound States: Innovative Poetics and Acoustical Technologies, 74–96. Chapel Hill, NC: University of North Carolina Press, 1997.
    • Hayles, N. K. “Consolidating the Canon.” In The Science Wars, edited by Andrew Ross, 226–37. Durham, NC: Duke University Press, 1996.
    • Hayles, N. K. “How Cyberspace Signifies: Taking Immortality Literally.” In Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy, edited by George Slusser, Gary Westfahl, and Eric S. Rabkin, 111–24. Athens, GA: University of Georgia Press, 1996.
    • Hayles, N. K. “Narratives of Artificial Life.” In Futurenatural: Nature, Science, Culture, edited by George Robertson, Melinda Mash, Lisa Tickner, Jon Bird, Barry Curtis, and Tim Putnam, 146–64. New York and London: Routledge, 1996.
    • Hayles, N. K. “Virtual Bodies and Flickering Signifiers.” In Electronic Culture: Technology and Visual Representation, edited by T. Druckrey, 259–78. New York: Aperture, 1996.
    • Hayles, N. K. “Simulated Nature and Natural Simulations: Rethinking the Relation Between the Beholder and the World.” In Uncommon Ground: Toward the Reinvention of Nature, edited by William Cronon, 409–25. New York: Norton, 1995.
    • Hayles, N. K. “Embodied Virtuality: Or How to Put Bodies Back into the Picture.” In Immersed in Technology: Art and Virtual Environments, edited by Diana Augaitis, Douglas MacLeod, and Mary Anne Moser, 1–28. Cambridge: MIT Press, 1995.
    • Hayles, N. K. “Searching for Common Ground.” In Reinventing Nature?: Responses to Postmodern Deconstruction, 45–60. Washington, DC: Island Press, 1995.
    • Hayles, N. K. “The Life Cycle of Cyborgs: Writing the Posthuman.” In The Cyborg Handbook, edited by C. H. Gray, 321–35. New York & London: Routledge, 1995.
    • Hayles, N. K. “Boundary Disputes: Homeostasis, Reflexivity, and the Foundations of Cybernetics.” In Virtual Realities and Their Discontents, edited by R. Markley. Baltimore: Johns Hopkins University Press, 1995.
    • Hayles, N. K. “Deciphering the Rules of Unruly Disciplines: A Modest Proposal for Literature and Science.” In Literature and Science, 25–48. Amsterdam and Atlanta: Rodopi, 1994.
    • Hayles, N. K. “Narratives of Evolution and the Evolution of Narratives.” In Cooperation and Conflict in General Evolutionary Processes, edited by John L. Casti and Anders Karlqvist, 113–32. New York: John Wiley and Sons, 1994.
    • Hayles, N. K. “The Paradoxes of John Cage: Chaos, Time, and Irreversible Art.” In Permission Granted: Composed in America, edited by Marjorie Perloff and Charles Junkerman, 226–41. Chicago: University of Chicago Press, 1994.
    • Hayles, N. K. “The Seductions of Cyberspace.” In Rethinking Technologies, edited by Verena Conley, 173–90. Minneapolis: University of Minnesota Press, 1993.
    • Hayles, N. K. “The Life Cycle of Cyborgs: Writing and the Posthuman.” In A Question of Identity: Women, Science, and Literature, 152–72. New Brunswick, NJ: Rutgers University Press, 1993.
    • Hayles, N. K. “Constrained Constructivism: Locating Scientific Inquiry in the Theater of Representation.” In Realism and Representation,:Essays on the Problem of Realism in Relation to Science, Literature, and Culture, edited by G. Levine, 27–43. Madison: University of Wisconsin Press, 1993.
    • Hayles, N. K. “'Who Was Saved?': Families, Snitches, and Recuperation in Pynchon's Vineland.” In The Vineland Papers: Critical Takes on Pynchon’s Novel, edited by G. Green, D. J. Greiner, and L. McCaffery. Normal, IL: Dalkey Archive Press, 1993.
    • Hayles, N. K. “Turbulence in Literature and Science: Questions of Influence.” In Science and the American Imagination, 229–50. Lexington: University of Kentucky Press, 1992.
    • Hayles, N. K. “The Materiality of Informatics.” In Integrative Studies 10, 121–44, 1992.
    • Hayles, N. K. “Space for Writing: Stanislaw Lem and the Dialectic 'That Guides My Pen.” In Teksty Drugie  3, edited by J. Jarzebski, 5–29, 1992.
    • Hayles, N. K. “'A Metaphor of God Knew How Many Parts': The Engine that Drives "The Crying of Lot 49".” In “The Crying of Lot 49”: A Collection of New Essays, 197–213. Cambridge: Cambridge University Press, 1991.
    • Hayles, N. K. “Literature and Science.” In Literature and Criticism: A New Century Guide, edited by Malcolm Kelsall, Martin Coyle, Peter Gardside, and John Peck, 1068–81. London: Routledge, 1990.
    • Hayles, N. K. “Self-Reflexive Metaphors in Maxwell's Demon and Shannon's Choice: Finding the Passages,” 209–38. Boston: Northeastern University Press, 1990.
    • Hayles, N. K. “Information or Noise? Economy of Explanation in Barthes's "S/Z" and Shannon's Information Theory.” In One Culture: Essays in Science and Literature, edited by George Levine, 119–42. Madison, WI: University of Wisconsin Press, 1988.
    • Hayles, N. K. “Metaphysics of Metafiction in "The Man in the High Castle".” In Philip K. Dick, edited by Martin Harry Greenberg and Joseph D. Olander, 53–72. New York: Taplinger, 1983.
    • Hayles, N. K. “Androgyny, Ambivalence, and Assimilation in "The Left Hand of Darkness".” In Ursula K. Le Guin, edited by Joseph D. Olander, 97–115. New York: Taplinger, 1979.
    • Hayles, N. K. “Sexual Disguise in "As You Like It" and "Twelfth Night".” In Shakespeare Survey Volume 32: The Middle Comedies, 63–72. Cambridge: Cambridge University Press, 1979.
    • Hayles, N. K. “The Time of Digital Poetry: From Object to Event.” In New Media Poetics: Contexts, Technotexts, and Theories, edited by Adalaide Morris and Thomas Swiss, 181–210. Cambridge: MIT Press, n.d.
    • Hayles, N. K. “RFID: Human Agency and Meaning in Information-Intensive Environments (Accepted).” In Throughout. Cambridge, MA: MIT Press, n.d.

  • Other Articles

    • Hayles, N. K. “Is It Literature—or Art?” Second Natures. Los Angeles: UCLA Department of Design/Media Arts, 2006.
    • Hayles, N. K. “Auto-Projection: Fuchs' Evolutionary Tale.” Texas Tech University: Landmark Gallery, December 1999.

  • Journal Issues

    • Hayles, N. K., ed. “Cybernetic Readings.” Comparative Literature Studies. Johns Hopkins University Press, 2004.
    • Hayles, N. K., ed. “Cybernetic Readings.” Comparative Literature Studies. Johns Hopkins University Press, 2004.
    • Hayles, N. K., ed. “Technocriticism and Hypernarrative.” Modern Fiction Studies. Johns Hopkins University Press, 1997.
    • Hayles, N. K., ed. “Technocriticism and Hypernarrative.” Modern Fiction Studies. Johns Hopkins University Press, 1997.

  • Digital Publications

    • Hayles, N Katherine. “Electronic Literature Collection.” Electronic Literature Organization, 2006.
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    • Hayles, N. K. “Commentary ('Progressive Dinner Party').” Riding the Meridian, 2000.
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    • Hayles, N. K. “Electronic Literature: What Is It?,” n.d.
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    • Hayles, N. K., Patrick Jagoda, and Patrick LeMieux. “Speculation (Alternate Reality Game),” n.d.
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  • Reports

    • . Scott T. “Beyond Productivity: Information, Innovation, and Creativity.” Washington, DC: National Academies Press, 2003.

  • Conference Papers

    • Hayles, N. K. “Deeper into the Machine: Learning to Speak Digital.” In State of the Arts: The Proceedings of the Electronic Literature Organization’S 2002 State of the Arts Symposium, edited by S. Rettberg, 13–38. Los Angeles: Electronic Literature Organizaton, 2002.
• Scholarly, Clinical, & Service Activities
• 

  Presentations & Appearances

  • The Costs of Consciousness and the Rise of the Cognitive Nonconscious. November 21, 2013  2013
  • Speculation: Playing the in Participation Gap. November 15, 2013  2013
  • Meaning and Nonmeaning: Consciousness and the Cognitive Nonconscious. November 8, 2013  2013
  • The Cognitive Nonconscious: Implications for Thinking in the Digital Age. October 23, 2013  2013
  • The Cognitive Nonconscious: Implications for the Humanities. October 14, 2013  2013
  • The Materiality of Experimental Literature. October 11, 2013  2013
  • The Cognitive Nonconscious: Implications for the Humanities. September 20, 2013  2013
  • Speculative Gaming and Temporality. September 5, 2013  2013
  • Derivatives and Temporality. September 4, 2013  2013
  • The Posthuman and the Cognitive Nonconscious. July 27, 2013  2013
  • Technogenesis and Science Studies. June 26, 2013  2013
  • Technogenesis: The Role of the Digital Companion. May 14, 2013  2013
  • Speculation and its Observer Effects. April 17, 2013  2013
  • Daniel Suarez's Daemon: Imagining the Financial Future. March 28, 2013  2013
  • Flash Crashes and Critical Finance Studies. March 15, 2013  2013
  • Apophenia: Patterns in Electronic Literature. January 5, 2013  2013
  • Comparative Media as a Theoretical Framework. January 5, 2013  2013
  • Comparative Textual Media: A Proposal. January 5, 2013  2013
  • Constructing the Future: 'Speculation' Computer Game. January 5, 2013  2013
  • Designing Speculation: An Alternate Reality Game. January 5, 2013  2013
  • Finance Capital and Daniel Suarez's 'Daemon'. January 5, 2013  2013
  • Flash Crashes and Algorithmic Trading. January 5, 2013  2013
  • Ghost in the Shell: Cognitive Hybridity Katherine Hayles University of Iowa 2013/01/05 April 12, 2012 0 65 41860 [11035]Hayles,Katherine [1388]Invited Lectures Apophenia: Patterns (?) in Electronic Literature". January 5, 2013  2013
  • How We Think: Digital Media and Contemporary Technogenesis. January 5, 2013  2013
  • How We Think:Contemporary Technogenesis. January 5, 2013  2013
  • Hyper and Deep Attention: Implications and Consequences. January 5, 2013  2013
  • Instability in Global Finance Capital. January 5, 2013  2013
  • Machine and Close Reading: Convergent Strategies. January 5, 2013  2013
  • Re-Thinking the Humanities Curriculum. January 5, 2013  2013
  • Speculative Aesthetics: Object Oriented Inquiry (OOI). January 5, 2013  2013
  • Tree of Codes: Experimental Fiction and Machine Reading. January 5, 2013  2013
  • Electronic Literature and Distributed Cognition. November 23, 2011  2011
  • TOC and Complex Temporalities. November 21, 2011  2011
  • Database vs. Narrative: Raw Shark Texts. Ropes Lecture. University of Cincinnati. November 12, 2011  2011
  • Narrative Storyworlds and Experimental Fiction. October 28, 2011  2011
  • Cryptographic Grilles and Contemporary Literature. October 7, 2011  2011
  • Distributed Cognition and Attention. September 24, 2011  2011
  • Recursive Play in Braid. September 23, 2011  2011
  • Neural Plasticity and Digital Media, Keynote lecture. May 21, 2011  2011
  • Artificial Nature: Rethinking the Natural. April 21, 2011  2011
  • Rethinking the Humanities. April 17, 2011  2011
  • Raw Shark Texts: Database versus Narrative. April 8, 2011  2011
  • How We Think. March 17, 2011  2011
  • Comparative Media Studies: A New Paradigm for the Humanities. February 25, 2011  2011
  • Trajectories in New Media. January 9, 2011  2011
  • Storyworlds in New Media. January 7, 2011  2011
  • How We Read: Close, Hyper, Machine. November 11, 2010  2010
  • New Practices of Reading. October 28, 2010  2010
  • Narrative and Database: Steven Hall's Raw Shark Texts". October 22, 2010  2010
  • Telegraph Code Books: The Place of the Human. October 21, 2010  2010
  • How We Read: Close, Hyper, Machine. October 15, 2010  2010
  • Complex Temporalities. October 8, 2010  2010
  • Posthuman Reading (and Writing). September 24, 2010  2010
  • How We Read. September 10, 2010  2010
  • Becoming Digital. December 15, 2009  2009
  • Effects of Spatializing Software". December 15, 2009  2009
  • Plenary: “Critical Theory in the Digital Age”. December 15, 2009  2009
  • Plenary: “Digital Art and Culture and the Humanities: Challenges and Opportunities,”. December 15, 2009  2009
  • Plenary: “Rethinking the Humanities in a Digital Age". December 15, 2009  2009
  • “Critical Theory in the Digital Agej". December 15, 2009  2009
  • “Digital Humanities 2.0,”. December 15, 2009  2009
  • “Digital Humanities: New Directions":. December 15, 2009  2009
  • “Distributed Cognition: Implications for the Humanities". December 15, 2009  2009
  • “Effects of Spatializing Software". December 15, 2009  2009
  • “Telegraph Code Books as Historical Resource and Linguistic Practice". December 15, 2009  2009
  • “The Human in the Digital Era". December 15, 2009  2009
  • “Vinge and the Micropolitics of Global Spatialization". December 15, 2009  2009
  • “Writing Machines". December 15, 2009  2009
  • Pervasive Computing in LIterature, Art, and the Environment. December 4, 2008  2008
  • Spatializing Time: The Influence of Google Earth, Google Maps. November 21, 2008  2008
  • Architecture as Medium. November 19, 2008  2008
  • How We Think: The Transforming Power of Digital Technologies. November 15, 2008  2008
  • Spatializing Time: The Influence of Google Earth, Google Maps. October 31, 2008  2008
  • Digital Humanities: Its Challenges to the Traditional Humanities. October 24, 2008  2008
  • Electronic Literature Collection. October 16, 2008  2008
  • Space and Time in New Media. October 10, 2008  2008
  • Narrating Consciousness. October 3, 2008  2008
  • Pervasive Computing: Literature, Art, Environment. May 30, 2008  2008
  • Software Studies and Electronic Literature. May 21, 2008  2008
  • Electronic Literature: Theorizing the New. February 29, 2008  2008
• 

  Outreach & Engaged Scholarship

  • Bass Connections Faculty Team Member . Modeling and Simulation . August 2014 - July 2015  2014 - 2015
• 

  Service to the Profession

  • Program Review, Critical Theory Program, Mount Holyoke College. January 5, 2013  2013
  • tenure evaluator Aden Evens, Dartmouth College : Tenure Evaluation, Aden Evens. December 15, 2011  2011
  • tenure review evaluator : Tenure Review, Cynthia Lawson. October 15, 2011  2011
  • Tenure review evaluator : Tenure Review, Fabian Winkler. August 15, 2011  2011
  • DGS : Organizer and co-organizer of workshop at Duke .. 2011  2011
  • Open Humanities Press Advisory Board. 2011  2011
  • various editorial advisory boards. 2011  2011
  • Co-Editor : Electronic Mediations Series, University of Minnesota Press. 2008  2008
  • Member of LIterary Advisory Board : Electronic Literature Organization. 2008  2008

Some information on this profile has been compiled automatically from Duke databases and external sources. (Our About page explains how this works.) If you see a problem with the information, please write to Scholars@Duke and let us know. We will reply promptly.