Overview
Miguel Rojas-Sotelo works at the intersection of critical human geography, ethnic studies, visual anthropology, environmental and health humanities and cultural theory. As scholar, filmmaker, visual artist, and media activist he studies how communities of color (indigenous and migrants) and natural spaces are shaped by modernity and how they mobilize to adapt and resist. He is particularly interested in how such people(s) articulate their archival knowledge, racial and class politics, the spatiality of those processes, and how they are manifest in the landscape via visual, audiovisual, oral, and textual narratives.
Miguel Rojas-Sotelo, is a doctor (PhD) in Visual Studies, Contemporary Art, and Cultural Theory; with a M.A in Modern and Contemporary Art (U. Pittsburgh) and MFA on Visual Arts (U. de los Andes, 1995). His bachelor's degree is in visual arts with sub-major in History and Philosophy.
Miguel was the Colombian Ministry of Culture first Visual Arts Director (1997-2001), where he worked building participatory cultural policy. Miguel has worked independently as film maker, curator, author, and critic ever since.
His areas of interest are: environmental visual humanities, health humanities, intercultural visualities, contemporary art and subaltern studies, the global south and decolonial aesthetics.
Currently works and teaches at the Duke University Center for International and Global Studies and Center for Latin American and Caribbean Studies (is also affiliated with the Consortium in Latin American and Caribbean Studies with UNC Chapel Hill). Miguel was visiting faculty at Duke Kunshan University at the International Master in Environmental Policy (IMEP) and the undergraduate program. Miguel is a fellow Nicholas School of the Environment fellow.
Miguel is founder of Water Towns Environmental Film and Arts Festival . 环保电影艺术节(China), and director of the NC Latin American Film and New Media Festival (USA). At Duke-UNC consortium Miguel coordinates interdisciplinary working groups, directs the Hemispheric Indigeneity project, co-directs and co-leads the Working Group on Environmental Humanities: Narrating Nature at Duke University, also is affiliated to the Health Humanities Lab.
Miguel won the 2017-2018 National Prize in Art and Essay Criticism for his essay Soberanía Visual (Visual Sovereignty) awarded by the Colombian Ministry of Culture and Los Andes University. In 2017 also published his book IRRUPCIONES | COMPRESIONES | CONTRAVENCIONES about cultural policy in Colombia. In 2018 Miguel was co-president of EILA V (Continental Encounter of Indigenous Arts and Literatures), held in Bogota, Colombia (May 2018). In late 2018 Miguel published his latest book BE PATIENT | SE PACIENTE. Artistic and medical entanglements in the work of Libia Posada.
Miguel Rojas-Sotelo, is a doctor (PhD) in Visual Studies, Contemporary Art, and Cultural Theory; with a M.A in Modern and Contemporary Art (U. Pittsburgh) and MFA on Visual Arts (U. de los Andes, 1995). His bachelor's degree is in visual arts with sub-major in History and Philosophy.
Miguel was the Colombian Ministry of Culture first Visual Arts Director (1997-2001), where he worked building participatory cultural policy. Miguel has worked independently as film maker, curator, author, and critic ever since.
His areas of interest are: environmental visual humanities, health humanities, intercultural visualities, contemporary art and subaltern studies, the global south and decolonial aesthetics.
Currently works and teaches at the Duke University Center for International and Global Studies and Center for Latin American and Caribbean Studies (is also affiliated with the Consortium in Latin American and Caribbean Studies with UNC Chapel Hill). Miguel was visiting faculty at Duke Kunshan University at the International Master in Environmental Policy (IMEP) and the undergraduate program. Miguel is a fellow Nicholas School of the Environment fellow.
Miguel is founder of Water Towns Environmental Film and Arts Festival . 环保电影艺术节(China), and director of the NC Latin American Film and New Media Festival (USA). At Duke-UNC consortium Miguel coordinates interdisciplinary working groups, directs the Hemispheric Indigeneity project, co-directs and co-leads the Working Group on Environmental Humanities: Narrating Nature at Duke University, also is affiliated to the Health Humanities Lab.
Miguel won the 2017-2018 National Prize in Art and Essay Criticism for his essay Soberanía Visual (Visual Sovereignty) awarded by the Colombian Ministry of Culture and Los Andes University. In 2017 also published his book IRRUPCIONES | COMPRESIONES | CONTRAVENCIONES about cultural policy in Colombia. In 2018 Miguel was co-president of EILA V (Continental Encounter of Indigenous Arts and Literatures), held in Bogota, Colombia (May 2018). In late 2018 Miguel published his latest book BE PATIENT | SE PACIENTE. Artistic and medical entanglements in the work of Libia Posada.
Office Hours
Tuesdays and Thursdays 9-11am
133 John Hope Franklin Center.
2204 Erwin Road
Duke University
Durham.
133 John Hope Franklin Center.
2204 Erwin Road
Duke University
Durham.
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Recent Publications
Monilla Amena. Amazonian principles to understand the cultural production of the Amerindian world
Journal Article America sin Nombre · January 1, 2025 Using one of the stories of Amazonian origin, Monilla Amena (the tree of life and abundance), this transnational territory’s cultural and artistic production can be critically inserted as an account of Amazonian artists-territory who, with agency, interven ... Full text CiteTerritorio encarnado: ejercicios de soberanía visual. Visualidades, textualidades y estéticas situadas en la producción artística indígena en Abya Yala
Book · October 1, 2023 This text is the result of multiple reflections in which cultivators from the indigenous world of Abya Yala meet in intercultural dialogues. The text is plurivocal, multiple and collective. Its authorship is not unique but communal, It is not possible to w ... Link to item CitePlace of Encounters | Lugar de Encuentros
Other Place of Encounters | Lugar de Encuentros · May 1, 2023 Curatorial Text for the Exhibit: Place of Encounters | Lugar de Encuentros. Cameron Art Museum. Wilmington NC. May 2023 - January 2024. North Carolina is home to a rich diversity of voices, which is reflected in its community of Latin American artists. Wor ... Open Access Link to item CiteRecent Grants
UNC-Duke Consortium Title VI NRC grant
Inst. Training Prgm or CMEProgram Coordinator · Awarded by University of North Carolina - Chapel Hill · 2018 - 2026CLACS NRC Title VI
Institutional SupportProgram Assistant · Awarded by Department of Education · 2014 - 2019View All Grants