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Nicholas Stoia

Associate Professor of Music
Music
105 Biddle Music Building, BOX_90665, Durham, NC 27708

Selected Publications


The Transformation of Prewar Blues into Postwar Rhythm and Blues The Great Migration, Urbanization, and Form

Journal Article Journal of Music Theory · October 1, 2023 The transformation of blues into rhythm and blues in the mid-twentieth century mirrored the experience of migrants who traveled from the South and adapted to bustling city life in the North and Midwest. When millions of Black Americans moved to cities duri ... Full text Open Access Cite

Sweet thing: The history and musical structure of a shared american vernacular form

Book · January 1, 2021 Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form is a historical and analytical study of one of the most productive and enduring shared musical resources in North American vernacular music. Many of us learn the form as ch ... Full text Cite

Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll

Journal Article Music Theory Online · December 2020 This article briefly recounts recent work identifying the most common lyric formulas in early blues and then demonstrates the prevalence of these formulas in early country music, rhythm and blues, and rock and roll. The study shows how the preferen ... Full text Cite

Rap Lyrics as Evidence: What Can Music Theory Tell Us?

Journal Article Race and Justice · January 31, 2017 Recent scholarship has shed light on the troubling use of rap lyrics in criminal trials. Prosecutors have interpreted defendants’ rap lyrics as accurate descriptions of past behavior or in some cases as real threats of violence. There are at least two prob ... Cite

Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920-1945

Journal Article Music Theory Online · August 1, 2010 In American folk and popular music, dissonance frequently functions in ways that cannot be explained by conventional tonal theory. Two types of dissonance—the dropping and hanging thirds—function outside of classical norms, and within the framework of a mo ... Link to item Cite