Gennifer Weisenfeld

Book · 2023 Gas Mask Nation explores the multilayered construction of an anxious yet perversely pleasurable visual culture of Japanese civil air defense—or bōkū—through a diverse range of artworks, photographs, films and newsreels, magazine illustrations, postcards, c ... Cite

Hokusai’s Great Wave: Biography of a Global Icon

Other · January 7, 2017 Review of Christine Guth's "Hokusai’s Great Wave: Biography of a Global Icon" ... Cite

On Imaging Disaster: Tokyo and the Visual Culture of Japan's Great Earthquake of 1923

Internet Publication · February 9, 2015 Link to item Cite

Industrial Poisoning Minamata, 1972

Chapter · 2015 Link to item Cite

Gas Mask Parade: Japan’s Anxious Modernism

Journal Article · 2014 Open Access Cite

Laughing in the Face of Calamity: Visual Satire after the Great Kantô Earthquake

Chapter · 2014 Cite

Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki

Other Journal of Japanese Studies · 2014 Cite

Die Verbildlichung der Katastrophe in Japan

Chapter · 2014 Exhibition Catalogue ... Cite

Western-Style Painting in Japan: Mimesis, Individualism, and Japanese Nationhood

Chapter · 2013 Reprint ... Cite

Imaging Disaster Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923

Book · November 14, 2012 Imaging Disaster is a rich social history of Japan’s Great Kanto Earthquake of 1923. ... Cite

Shiseido Chic: The Cosmopolitan Aesthetics of Japanese Cosmetics

Chapter · 2012 Cite

Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu

Book · 2012 Cite

The Expanding Arts of the Interwar Period

Chapter · 2011 Featured Publication Cite

Japanese Typographic Design and the Art of Letterforms

Chapter · 2011 Featured Publication Open Access Cite

Publicity and Propaganda in 1930s Japan: Modernism as Method

Journal Article Design Issues · October 2009 Featured Publication Open Access Cite

Publicité et Propagande Dans le Japon des Années 1930: Le Modernisme Comme Méthode

Chapter · 2007 Featured Publication Reprint ... Cite

Saigai to Shikaku: Kantō Daishinsai no Shikaku Hyōshō o Megutte” (Disaster and Vision: On the Visual Representations of the Great Kantō Earthquake)

Chapter · 2007 Featured Publication Cite

Reinscribing Tradition in a Transnational Art World

Chapter · 2007 Featured Publication Asian Art History in the Twenty-First Century explores the field of Asian art and its historiography, tensions, and possible future directions. ... Open Access Cite

Women and Words: Two Language Artists in Contemporary Japan

Chapter · 2006 Featured Publication Cite

‘From Baby’s First Bath’: Kao Soap and Modern Japanese Commercial Design

Journal Article The Art Bulletin · September 2004 Featured Publication Open Access Cite

Tada Hokuu no Kōkoku Bigaku to Josei no Shōchōsei (Tada Hokuu’s Advertising Aesthetics and the Symbolic Value of Women)

Chapter · 2003 Cite

Mavo: Japanese Artists and the Avant-Garde, 1905-1931

Book · 2002 Featured Publication © 2002 Gennifer Weisenfeld. Images and other third-party content in this book are used by permission, used under the doctrine of fair use, or are in the public domain. Except for that content, this book is licensed for reuse under a CC-BY-NC 4.0 License. Y ... Open Access Cite

Nihonga, Transcending the Past: Japanese-Style Painting 1868-1968 by By Ellen Conant, Steven Owyoung, and J. Thomas Rimer

Other Journal of Asian Studies · November 1998 Cite

Gennifer Weisenfeld

Selected Publications

Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan

Hokusai’s Great Wave: Biography of a Global Icon

On Imaging Disaster: Tokyo and the Visual Culture of Japan's Great Earthquake of 1923

Industrial Poisoning Minamata, 1972

Gas Mask Parade: Japan’s Anxious Modernism

Laughing in the Face of Calamity: Visual Satire after the Great Kantô Earthquake

Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki

Die Verbildlichung der Katastrophe in Japan

Western-Style Painting in Japan: Mimesis, Individualism, and Japanese Nationhood

Imaging Disaster Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923

Shiseido Chic: The Cosmopolitan Aesthetics of Japanese Cosmetics

Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu

The Expanding Arts of the Interwar Period

Japanese Typographic Design and the Art of Letterforms

Publicity and Propaganda in 1930s Japan: Modernism as Method

Publicité et Propagande Dans le Japon des Années 1930: Le Modernisme Comme Méthode

Saigai to Shikaku: Kantō Daishinsai no Shikaku Hyōshō o Megutte” (Disaster and Vision: On the Visual Representations of the Great Kantō Earthquake)

Reinscribing Tradition in a Transnational Art World

Women and Words: Two Language Artists in Contemporary Japan

‘From Baby’s First Bath’: Kao Soap and Modern Japanese Commercial Design

Tada Hokuu no Kōkoku Bigaku to Josei no Shōchōsei (Tada Hokuu’s Advertising Aesthetics and the Symbolic Value of Women)

Mavo: Japanese Artists and the Avant-Garde, 1905-1931

Nihon ni okeru Shōgyō Dezainshi to Sono Kenkyū (Art History and the Study of Japanese Commercial Design)

Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues

Guest Editor's Introduction: Visual Cultures of Japanese Imperialism

Japanese Modernism and Consumerism: Forging the New Artistic Field of Shōgyō Bijutsu

Nihonga, Transcending the Past: Japanese-Style Painting 1868-1968 by By Ellen Conant, Steven Owyoung, and J. Thomas Rimer

Designing After Disaster: Barrack Decoration and the Great Kanto Earthquake

Imaging Calamity: Artists in the Capital after the Great Kantô Earthquake

Mavo’s ‘Conscious Constructivism’: Art, Individualism, and Daily Life in Interwar Japan

Selling Shiseido: Cosmetics Advertising & Design in Early 20th-Century Japan

The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan

Imaging Kantō